Word: monetization
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Dates: during 2000-2009
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...Gauguin. Now, the two artists are sharing the same roof, in a superb pair of exhibits at the Grand Palais that round off a blockbuster fall art season in Paris. The lineup includes Botticelli at the Musée du Luxembourg, Bazille at the Musée Marmottan Monet, and a huge Jean Cocteau retrospective at the Pompidou Center. With over 200 paintings, drawings, woodcuts, sculptures, photographs and sketches, Gauguin-Tahiti, the Atelier of the Tropics (Oct. 3-Jan. 19) offers brilliant confirmation of Gauguin's primary role in the liberation of color in modern art. From his first...
...most prized works went on tour. The Grenville L. Winthrop Collection opened in Lyon, France in March, and after touring London and New York City it will return to Cambridge early next year. The show includes more than 200 paintings, drawings and sculptures by such notable artists as Claude Monet and Vincent van Gogh, normally displayed as part of the Fogg’s showings...
...photography. "It never has. The only thing that has ever been important is drawing." He is sitting at the living-room window of his fifth-floor Paris apartment, looking out over the Tuileries Gardens. It's almost exactly the same plunging view, he points out, that was painted by Monet and Cézanne. Cartier-Bresson abandoned photography in the mid-1970s and now prefers to discuss painting and drawing, his later passions. But even he can't deny the unforgettable images he captured during a half-century of photojournalism. This week, a stunning retrospective of that work goes...
...Winthrop Collection—part of the largest university art museum holdings in the country—kicked off in Lyon, France last weekend. The show, “A Private Passion,” includes more than 200 paintings, drawings and sculptures by many notable artists, including Claude Monet, Edgar Degas and Vincent van Gogh...
...reconstructed, MOMA is still managing to play host to the kind of exhibition that will bring hundreds of thousands of people to a place with no hot restaurant and no cabs. At a time when the museum blockbuster is threatened by high insurance rates and topic fatigue--there are Monet haystacks I see more often than I see my mother--"Matisse Picasso," which comes to the U.S. after hugely successful runs at the Tate Modern in London and the Grand Palais in Paris, is proof that the blockbuster can still be a public service, not to mention a supreme pleasure...