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...Claude Monet, the quintessential impressionist painter, was born in 1840. That year Queen Victoria married Prince Albert, and in France both Ingres and Delacroix were at work. In 1926, when Monet died, Lenin was two years dead, and Picasso was already a middle-aged man of 45. Having lived such a span, Monet in old age looked like a relic of the 19th century -- hardly a modern artist at all. What could his painting offer a postcubist culture...

Author: /time Magazine | Title: Art: Letting Nature Reign Resplendent | 3/26/1990 | See Source »

...great deal, as it turned out. Ripeness was all. Monet produced his best work after he turned 50, and it came to form the essential link between symbolism, with its cult of the nuance and its obsession with "getting behind" ordinary reality, and abstract painting. You can hardly imagine Jackson Pollock's all-over drip paintings, for instance, without the example of late Monet. But the real value of Monet's work lies not in what it predicted or how it was used by later artists but in itself: its intensity and breadth of vision, its lyrical beauty...

Author: /time Magazine | Title: Art: Letting Nature Reign Resplendent | 3/26/1990 | See Source »

With this show and its catalog essay, curator Paul Hayes Tucker, the leading U.S. expert on Monet, has set out to amend a number of received ideas about the artist. Chief among them is Cezanne's opinion: "Only an eye, but my God! What an eye!" In this view, Monet becomes a painter of mere sensation, exquisitely attuned to every sense impression but lacking social point and intellectual fiber...

Author: /time Magazine | Title: Art: Letting Nature Reign Resplendent | 3/26/1990 | See Source »

...past 15 years in America have been the golden age of the museum retrospective, bringing a series of great and (for this generation of museums and their public) definitive exhibitions, done at the highest pitch of scholarship and curatorial skill: late and early Cezanne, Picasso, Manet, Van Gogh, Monet, Degas, Watteau, Velazquez, Poussin, up to MOMA's current show of Picasso's and Braque's Cubist years and, perhaps, Seurat to come...

Author: /time Magazine | Title: Sold! The Art Market: Goes Crazy | 11/27/1989 | See Source »

...only time the slowed-down, lovesong style achieves a bearable level on this album is when LL doesn't blabber. On "Two Different Worlds," guest vocalist Cydne Monet has a soft, gentle voice that offers the listener a brief moment of relief from LL's love raps. Thank you for saving a part of this album...

Author: By Julio R. Varela, | Title: Soft Tunes From a Hard Bragger | 6/30/1989 | See Source »

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