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IMPRESSIONISTS-Rosenberg, 20 East 79th. A wealth of French impressionist work in various media ranging from an 1860 Boudin to a 1920 Monet. Other familiar names: Renoir, Degas, Cezanne, Cassatt, Fantin-Latour, Toulouse-Lautrec, Pissarro and Van Gogh. Through...

Author: /time Magazine | Title: Art: UPTOWN: Jan. 17, 1964 | 1/17/1964 | See Source »

...homage to nature, but Cézanne often treated them like so much scrap; he even lighted the stove in his Provençal studio with works that might now be worth as much as $16,000 each. Only the foresight of his friends and early admirers-Gertrude Stein. Monet, Degas, Renoir, Pissarro-saved those that are left...

Author: /time Magazine | Title: Art: Watery Depths | 4/19/1963 | See Source »

...work often suggests stale Disney sprinkled with Kitty Litter, but at one point the picture wittily displays Mewsette as she might have been painted by Monet, Van Gogh, Seurat et al. Judy Garland, as the voice of Mewsette, yowls enchantingly. And even those who think that the plot is a very old sardine may admit that it is often amewsing, in a clever script by Dorothy and Chuck Jones, to read between the felines...

Author: /time Magazine | Title: Cinema: Well, It Isn't a Dog | 12/21/1962 | See Source »

...century musical idiom. Clarity, precision, balance, proportion were the qualities he was trying for-and he achieved them so brilliantly that he became the great emancipator for a whole generation of composers. In his fascination with primary color, with pure emotion, he resembled the impressionist painters-Cezanne perhaps, or Monet. Debussy still surprises with his strange, exotic and otherworldly sound. Studied in fresh detail-in such books as British Musicologist Edward Lockspeiser's new biography, Debussy: His Life and Mind (Vol. 1)-he still fascinates as a talented and tormented...

Author: /time Magazine | Title: Music: The Emancipator | 12/7/1962 | See Source »

...Canine Patient and A Rail Fence Flirtation, but he did not tolerate that kind of "potboiling" for long. He first went to France when he was only 24, and there he gradually fell under the spell of the new painters. Though the paintings of his good friend Monet made him "blue with envy." he took away only a fresh appreciation of light and color, which added to his traditional realism rather than replacing...

Author: /time Magazine | Title: Art: Robinson Revisited | 10/19/1962 | See Source »

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