Word: monetizations
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Dates: during 2000-2009
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...dramatic purple, dark blue, blood-red patch of the group of disciples, on that terrible emerald-green sea ... what an inspired conception!" He had read about Impressionism, too, but imagined it to be simply the use of lighter tones. In Paris he discovered such older painters as Monet and Pissarro, and met the young avant-garde of the day: Toulouse-Lautrec, Seurat, Signac, Gauguin, Bernard. His old palette went out the window ("Last year I painted almost nothing but flowers," he wrote in 1887, "so I could get used to colors other than gray.") He experimented with Impressionist brushstrokes...
...Whitney Museum: Your wife says she wants a Monet print from the Met, but don't you think she might actually be much happier with a Lichtenstein or a Warhol? We think so, too. Even after your visit to the gift shop, there's plenty to see at the Whitney, from avant-garde lawn sculptures to totally incomprehensible oil paintings. Note to party leaders: Please alert Museum staff well ahead of time in the event that John Ashcroft wishes to pay a visit. Staff will require at least a week for ordering and positioning special opaque draping materials...
...urban landscape of New York City will strike a nerve with anyone who has ever strolled through the city and been amazed by the beauty within the dull and dingy urban landscape. In Looking West on 29th Street on a September Evening (2000), it seems as though Monet painted a field of flowers beneath a milky skyline and gritty buildings. The images, which come from Sternfeld’s book Walking the High Line, chronicle a journey past Gap billboards and over abandoned railways strangely overgrown with plants and flowers. Sternfeld teaches “Landscape Photography” this...
...budget travelers were the first foreigners attracted to Pai's idyllic isolation, burbling streams, cylindrical haystacks and manicured fields of garlic and soybeans. If you overlook the thatched-roof bamboo huts, Muslim mosque?some of the KMT were Muslim Chinese?and Buddhist temples, the place looks almost like a Monet painting...
When Claude Monet, Edgar Degas, Camille Pissarro, Pierre Renoir and a handful of other artists - most of them French - began to abandon the formal rules that had dominated painting until the mid-19th century, they brought into the art world a new spontaneity, luminosity and richness. Their revolutionary way of looking at landscapes, gardens and scenes of leisure had particular resonance in a distant land that, a century earlier, embraced some revolutionary French ideas about politics. "I hated conventional art," said Mary Cassatt, a leading American artist of the 19th and 20th centuries. "When I joined the Impressionists, I began...