Word: monetizing
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...Tyco's finances to determine if the game has been rigged. Kozlowski, 55, resigned last week from the helm of Tyco just before the Manhattan district attorney charged him with evading $1 million in sales taxes on more than $13 million in art, including paintings by Renoir and Monet, that he bought in the past 10 months. Kozlowski pleaded not guilty, and neither he nor his attorney would comment on the charges. "He sounded like a man under siege," says a business acquaintance who spoke briefly to Kozlowski...
...carcasses. Experimenting with unique subject matter allowed impressionists to stretch the limits of still life painting, and the exhibition successfully illustrates this breadth. The range of artists is also extraordinary, from those known for still lifes like Fantin-Latour and Cézanne, to those known for landscapes like Monet, Pissarro and Sisley, to those known for figure painting like Degas, Cassatt and Caillebotte...
...other jewels of the exhibition, equally distinct and eloquent, were painted by Monet in 1872. “Still Life with Melon” and “The Tea Set,” which hang side by side in the Gund Gallery, show Monet’s experimentation with both traditional and nontraditional still life. “Still Life with Melon” features the heavy round shapes of the melon, peaches, plates and grapes, balanced with traditional bourgeois taste. In contrast, “The Tea Set” is evidence of Japanese influence on the Impressionist...
...atelier of Charles Gleyre in Paris in 1862 formed friendships between Impressionist greats including Claude Monet, Frédéric Bazille, Auguste Renoir and Alfred Sisley. Impressionist Still Life displays Bazille’s and Sisley’s versions of “The Heron,” which they painted side by side in 1867. Several Bazille and Renoir paintings were created while the two were sharing a studio...
...with deeper remarks about the world. “I’ve chosen,” O’Reilly says, “to move beyond the cerebral and look at the beautiful.” He cites as his artistic influences Vermeer, de Hooch, Clasez and Monet. And indeed, his photographs recall both the poignant and dignified simplicity of Flemish still lives and the French Impressionists’ emphasis on the qualitative and sensory experience of objects...