Word: monets
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Dates: during 1950-1959
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...symbolist who worshiped at the literary and artistic shrines of Mallarmé and Gauguin, Vuillard brought impressionism into the parlor. Like Manet, Monet and Degas, he covered his canvases with veils of light and shadow. But Vuillard's subjects were domestic-his mother, his friends and the quiet, bourgeois, wallpapered rooms in which they lived. To those everyday themes, he brought the quiet joy of small mysteries...
...after he had been painting for some 30 years, demented Pierre Dumont tried to kill his own mother and was committed to an insane asylum in Paris. There, in 1936, he died in poverty, so overshadowed as an artist by his fellow impressionists Monet, Renoir, and Pissarro that the world had already forgotten about him. Last week London's Redfern Gallery threw open its doors to the first showing of Dumont's works outside France, and the long-neglected painter seemed suddenly destined for an amazing revival...
Michelangelo, Murillo, Tintoretto, Greuze, Utrillo, Renoir, Fragonard, Matisse, And the Brueghels, pére et fils, Monet, Manet, Turner, Giotto, Dufy, Degas, Titian, Watteau, From Da Vinci to The Greek Each one had his own technique. Artzy's trademark is his flair For the isolated hair...
...male friend. "I would not have admitted," he exclaimed when first he saw her work, "that a woman could draw as well as that." He proceeded to teach her a good deal of his own almost cruelly precise draftsmanship, which has never been surpassed for subtlety. Other impressionists-Manet, Monet et al. -followed Degas' lead in drawing Painter Cassatt into their sunlit circle. From them she got the habit of subordinating form, space and texture to the pure play of light, and of giving her pictures a modest, if contrived, sketchiness...
...Monet began to go from his lovely and unprofitable beginnings to a fanatical and highly lucrative exploration of impressionism's end: the picturing of daylight, like a spangled web swathed about the world. With worldly success he lost the almost Flemish reticence that gives The Seine at Bougival halt its charm. Long before his death in 1926, the old man's gilded haystacks and mauve cathedrals became dated. But among the rich and often raw liqueurs of modern painting, his best work is still as refreshing as a long glass of sodawater, iced...