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...general the Japanese in Paris were conservative in their taste, preferring as models Renoir and Monet to Picasso. Some of the high points of this show are conservative in the best sense, such as Kishida Ryusei's superrefined Still Life (Three Red Apples, Cup, Can, Spoon), 1920, in which the Japanese passion for wabi -- unfussed, natural simplicity -- finds its way into a still-life scheme inherited from Andre Derain. When Umehara Ryuzaburo went to extremes in 1938 with Nude with Fans, the limbs drawn in thick dissonant red and green lines, his prototype was Matisse's work of 30 years...

Author: /time Magazine | Title: Art: Japanese with A French Accent | 1/25/1988 | See Source »

...they do breathe: light and air -- of a rather claustral kind, but atmosphere just the same -- bathe the bodies and unify them as objects in the world while threatening always to dissolve them as emblems of personality. The surfaces look as if they came via Philip Guston from Monet, picking up some of Giacomo Balla's futurist dissections of light particles along the way -- a sober flicker in which images flash and are gone like the sides of fish in dark, weedy water...

Author: /time Magazine | Title: Art: Spectral Light, Anxious Dancers | 11/9/1987 | See Source »

...about nostalgia, Barron says, for lint is nostalgic. It is about the fragility of life, and disintegration and death. And yet on the surface it has "the soft look of impressionism." One imagines a sort of shaggy Monet's Flower Garden, done in dust balls...

Author: /time Magazine | Title: In California: Lint Is Art | 6/1/1987 | See Source »

...baronial style. He and his wife maintain a costly apartment overlooking Manhattan's East River but spend much of their time on a 200-acre estate in suburban Westchester County, where guards patrol a laser-controlled entrance gate to the property. Inside the Georgian-style house, paintings by Monet and Renoir adorn the walls, and valuable works dot a nearby sculpture garden. Recently Boesky applied to local town planners for permission to add a dome to the residence, to give it, said his architect, a more "Jeffersonian look...

Author: /time Magazine | Title: The Fall of a Wall Street Superstar | 11/24/1986 | See Source »

...total billions of dollars in Marcos assets. There were signs at the 66th Street town house, formerly the Philippine consulate, that the choicest goodies had been lifted: empty jewel boxes whose satin linings still bore the impress of glinting valuables, and clean blanks on walls where paintings by Picasso, Monet, Van Gogh and Goya had hung. Over the decade, Mrs. Marcos' New York City purchases alone topped $100 million...

Author: /time Magazine | Title: Opulence and Waste | 8/18/1986 | See Source »

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