Word: money
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Dates: during 1960-1969
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...American University, Jacques Barzun lambasts the big colleges for betraying the cause of liberal education to money, prestige, and product oriented research. The new "multiversity" is not a university at all, but a large "industry, suitably diversified, whose members honestly believe it gives good service and should go on forever as it is. Teaching as an art has almost disappeared on campus. Infatuation with research has perverted the meaning of education. "Students do not act like students," Barzun writes, "because adults have confused them about what education really is." Barzun admits, however, that he shares the resentment of the student...
Music remains Hollander's primary means of what he rather loftily calls "searching for meaning." Recently, he asked himself whether it was really his ambition to make a lot of money and keep his name in the papers. He decided that what he really wanted was to avoid being up tight ("Why should I be so wrought up that I pace the floor before a concert?"), have a satisfying marriage, spend time with friends, read philosophy and pursue the charmingly ingenuous notion that he is "alive, sensing, part of the universe." He says: "I could work myself into...
...issue at stake is a simple one: whether Nixon will use Federal money as a tool in the war against school segregation in the South. Johnson and his secretaries of Health, Education, and Welfare wasted little time making a decision. The ten discouraging years that followed the 1954 Supreme Court decision taught Federal officials that court rulings were too slow and too limited to solve the problem alone. And the problem continued: by 1964, 10 years after the Supreme Court legally banned separate school systems, only 3 per cent of the black children of Alabama and Mississippi were attending schools...
...know that if--when their work opens in New York a month later--Clive Barnes (of the New York Times) does not like their show, they are in big trouble. Their show will close, their artistic reputations will suffer, and the play's investors will lose a lot of money ($150,000 and up for a drama, $500,000 and up for a musical). Indeed, the stakes are high...
...hopefully, save the show. Alexander Cohen, Dear World's producer, used his wife, Hildy Parks, and another librettist, Joe Masteroff (who wrote Cabaret) to fix up his production. Neither of these show doctors will receive program credit for their work, but they will get a flat sum of money, and, if their rewriting is substantial, perhaps a percentage royalty...