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Word: money (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Money Game, 'Adam Smith...

Author: /time Magazine | Title: Television: Jan. 17, 1969 | 1/17/1969 | See Source »

Proper Wasps still rule in tight little enclaves of high society that are rarely cracked by newcomers. Yet anyone with a will-and money-can find a way to outflank Wasp society, which is often haunted by a sense of anachronism. Such is the hostility to the Veiled Prophet parade, an annual Wasp event in St. Louis, that the queen and her maids of honor last year had to be covered with a plastic sheet to protect them from missiles tossed from the crowd...

Author: /time Magazine | Title: Essay: ARE THE WASPS COMING BACK? HAVE THEY EVER BEEN AWAY? | 1/17/1969 | See Source »

...demanded by various departments of the University. Financial constraints will probably continue to keep Harvard's pay scales lower than those of many private industries, the committee writes, and so "Harvard, to get the employees it needs, may have to shift the basis of its appeal somewhat from immediate money inducements to the opportunity for pre-job training that will increase skills of applicants...

Author: By William R. Galeota, | Title: The Wilson Report | 1/16/1969 | See Source »

...they are the work of a genius named Claude Chabrol. One of the founders of the Nouvelle Vague (Les Cousins), Chabrol followed a series of personal-but-unsuccessful films with a string of Grade-B melodramas. These, he explains, afforded him great stylistic freedom, a chance to experiment, and money to pay his taxes. The Champagne Murders is the last and most important, and it enabled him to make Les Biches, a great success which has restored Chabrol to critical favor. The difference between the two films is staggering, and testifies to Chabrol's greatness: The Champagne Murders uses...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

...perhaps simplistic to speak of Preminger as a determinist, yet running through his work are characters controlled by social and economic pressures, most distinctly by their immediate surroundings. In the early films (Fallen Angel, Angel Face), money, sexual abberation, and class distinction had much to do with the ultimate failure of Preminger's struggling protagonists. But increasingly, external dramatic pressures play a less important part--the determining factor becoming instead Preminger's own camera treatment of space, his cross-cutting techniques, his ultimate vision. No one seeing Skidoo can deny that the Mafia threat (central to the plot) is secondary...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

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