Word: moneys
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Dates: during 1990-1999
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...sure it was something I wanted to write, but I've been amazed at how little information is out there and how little discussion there is, as well as how many other people are going through this sort of trial." Booth observes that many people wish for more money to solve their dilemmas, but from her experience she can report, "Money doesn't solve the emotional part...
Things are better, in some ways, than they used to be. For the most part, our parents have put away more money than their parents did. Many can afford to live in retirement communities or pay for full-time nursing care. But throwing money at the problem (better hospitals, better doctors, anything to avoid facing the alternative) isn't the solution. Nor is micromanaging our parents' lives--buying the groceries, doing the laundry, anything rather than actually sitting down and talking. Eventually we have to face the fact that the parents who nurtured us are now the ones who need...
...violence in his lyrics that makes it difficult even for people who like him to take his money. The Young Leaders Academy, which mentors fatherless children, decided it could not. "I have tremendous respect for his work ethic," says president Kirt Bennett. "But if we take his money, we are giving tacit approval to violence, misogyny and a whole lot of negatives." P sees a double standard. "If it's a Steven Seagal movie, they have no trouble separating the man and the message. But if it's rap, they take it personally. They try to make us look like...
...runs a family restaurant in Little Italy. That's "family" in the full post-Puzo sense of the word. But Vito (Burt Young), who is the godfather here, sees opportunity in this alliance--a chance to off-load some of his talentless son's paintings and do a little money laundering via Michael's auctions. Before you know it, Michael has acquired his eponymous Mob nickname, is burying stiffs in Brooklyn and, finally, wearing a wire for a comically clueless FBI, whose forces include a hearing-challenged agent...
Maybe the Depression made Hollywood do it. Most of the studios were losing money by 1932 (RKO declared bankruptcy), and racy films brought in the money. But they also fanned the ire of state and local censorship boards. In 1934 the new Production Code had teeth, and under Joseph I. Breen, a former newspaperman, it bit hard. Dialogue was denatured from snappy to sappy; gowns hid what they once revealed; evil lost a lot of its seductive plausibility. And as studios sought to rerelease their pre-Code films, Breen insisted that cuts be made in the master negative, thus censoring...