Word: mongolls
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Going past the stand, Boys Howdy and Prince D'Amour were in front, Ladder, Sweep All and The Mongol bunched behind. Ladder took the lead at the half-mile. In the back stretch, with the jockeys' backs profiled above the rail like mechanical rabbits, Sweep All moved up and passed Ladder. Twenty Grand saved his speed for the last half-mile. George Ellis who had brought a Negro jockey all the way from Baltimore so he could rub his head for luck, was up on Mate. He and Kurtsinger drew their whips at the same time coming into...
...tale of a Mongol fur hunter, who after being cheated by a wealthy trader, turns rebel, becomes the leader of the revolutionary forces, and is finally captured and shot. In his posession is an ancient silken document stating that he is the direct descendent of Ghengis Khan. He is rescued by the men who shot him, brought back to health, and dressed up as a prince in order that his people will ally themselves with their former enemies. In the end, one of his people is shot at his feet, he runs amok, and is shown at the close, sweeping...
...Mongol khans beat us. Then the Turkish begs beat us; then the Swedish feudal lords and then the Polish aristocrats. Then the Anglo-French capitalists beat us and the Japanese barons beat...
Storm Over Asia (Amkino). A Mongol hunter, mulcted out of a silver fox skin by a Russian fur tycoon, runs amok and flees for his life. In the mountains he encounters kinsmen embattled against the White army and joins them. He is captured, shot, left to die, then nursed back to life when an amulet which accident brought him convinces the White general that he is progeny of great Genghis Khan. The wily White general sets him up as a puppet ruler to insure peace amongst the surly Mongols, but the hunter, confused and bewildered at first, suddenly discerns...
...Soviet post-revolution cinemas, propaganda is paramount, though more subtle. It is a one-actor show as opposed to the mass-action of Potemkin, Ten Days that Shook the World, Old and New with the people's awakening centred in the phlegmatic, stupid, finally violent figure of the Mongol hunter. Valery Inkizhinov, a Mongol by blood, is a capable tool of Director Vsevolod Pudovkin in showing forth the brutal elementalism of his race through the medium of the duped Asiatic. Typical shots: Inkizhinov wrecking the general's headquarters; the drooling baby Lama at the Festival of the Masks gurgling merrily...