Word: monk
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Dates: during 1980-1989
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...project seeks to blend music, poetry and prose into a "fusion" of jazz aiming to explore what Jazz (with a capital 3) as a medium expresses, and what a could potentially express. Using the music of Ellington. Gillespie, Waller, Monk and other greats coupled with selections from both Black and white authors. Mood Indigo II examines the meaning and the masters of Jazz in paying homage to the must distinctive origins and its fascinating evolution into a sophisticated cross-cultural genre, the performers (also both Black and White) not the "the Jazz transceds race." The message gets a little heavy...
AMONG, THE PERFORMERS Heather Johnston's mellow and throaty gave depth and emotion to her excellent renditions of Monk and Holiday Christina Wheeler as particularly strong and energetic in her powerful solos. Both Andrea Burke and Belle Linda Halpern gave virbrant performances exploring the sensuality of the music; especially memorable was Halpern's sassy "Wild Women Don't Get the Blues" Finally, there was Stephanie Wilford-Foster, who maintained the most compelling presence throughout the evening, drawing the subtle meaning out of the prose selections in a superior performance. In her closing number, evoking the Southern Baptist spirituals from which...
Ginsberg: I learned from Kerouac, whose poetry is greatly unackowledged, what poets call "phonic knowledge." Nobody studies it in the universities, but every poet studies Kerouac's seminal book, Mexico City Blues. Kerouac's had completly free form and he listened to jazz artists like Charlie Parker, Thelonius Monk and Miles Davis. The idea behind the jazz was spontaneous improvisation and long breath. That had an influence on the line in "Howl" and any other long-line poems I've done. Thelonius Monk's idea of thinking then silence, thinking then silence affected "Kaddish." It would go: clonk, clonk...clonkcklonkcklonk...
...than that of pope in legend, a man haunted, filled with rage and not "altogether admirable." This new More is an actor, writing his lines as he goes along. Arrogant in public, he's a victim of debilitating doubt in private. This More is a workahotled. A failed monk, he chooses marriages and a secular career in London. He is a merciless scourge of heretics and, at the same time, is preoccupied with death and tears for his own soul...
Though not the cult figure he was during the 1950s and '60s, Merton still commands a following. Forty of his books are in print. Paulist Press is offering a videotape in which Michael Moriarty portrays the monk. Last June PBS televised a biography, and the film is still enjoying brisk sales and rentals. The show's producers have now recycled 20 of their interviews as Merton by Those Who Knew Him Best (Harper & Row; 191 pages; $12.95), a slight but engaging book...