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Word: mons (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...mon King of the Jews...

Author: By Bill Beckett, | Title: The Opera Jesus Christ, Superstar Decca Records | 1/14/1971 | See Source »

...having its U.S. premiere at New Haven's Long Wharf Theater. Another tentative meaning might be that life is a mystery on a scale that reduces the solution of a murder to the pettiest of puzzles. Since Marguerite Duras is a French novelist and a scenarist (Hiroshima, Mon Amour), still another specifically Gallic meaning to be drawn from her play is that the heart has its reasons that reason knows...

Author: /time Magazine | Title: Theater: The Heart Is a Peopled Wound | 12/14/1970 | See Source »

...time or another, nearly every college sophomore has clapped his roommate on the shoulder and said: "C'mon, Oedipus, she's old enough to be your mother." Or greeted a sleepy-eyed coed at a 9 a.m. classics lecture with a cheery "Morning doesn't become you, Electra"." Jejune jests, to be sure, but they reflect post-Freudian man's easy familiarity with once intricate Sophoclean themes. If familiarity does not always breed contempt, it often produces apathy...

Author: /time Magazine | Title: Cinema: Soap-Opera Oedipus | 10/26/1970 | See Source »

...Hiroshima, Mon Amour and L'Annee Derniere a Marienbad, Alain Resnais began his explorations of time and space dislocation. His newest film, Je T'Aime, Je T'Aime, is precisely about that dislocation. A man enters a time-machine which looks like a high-school biology model of the human brain: scientists have told him that he will re-live exactly one minute of his life, at a point exactly a year ago. The machine goes berserk, and what follows is a visual montage of the man's past. Time barriers are simply not observed, and jumps from one sequence...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

...Aime, Je T'Aime is a frosty movie about love, life and time travel directed by Alain Resnais. In Hiroshima Mon Amour and Last Year at Marienbad, Resnais evolved an elliptical style of editing that included streams of consciousness, unconsciousness and dreams, all edited so tightly that the audience had to shift rapidly between tenses and dimensions. This technique made his films intellectual teasers, but it also tended to weaken the rather fragile narrative line. The scenario of Je T'Aime has been almost completely overwhelmed. It was supposed to be a kind of comic-strip fantasy about...

Author: /time Magazine | Title: Cinema: Festivals | 9/21/1970 | See Source »

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