Word: monsterization
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Which doesn't mean that Barack Obama should begin weeping at press conferences to make us sad or bang his fist on a lectern to goad our anger. But his Administration might want to avoid messages that portray the recession as a frightening monster rather than as a maddening, depressing but solvable problem...
...never seen Lost?" in a disbelieving tone of pity and disgust. Then - as night follows day - comes the inevitable binge. It's fair to say that many Lost fans have caught up with the show in long, slothful, weekend-consuming, sofa-denting DVD sessions. Its peculiar mysteries (smoke monster? four-toed statue? the island moves?) lend themselves well to this approach. Don't be ashamed. Just catch up, already...
...promises and start moving the country away from dirty energy, crumbling infrastructure and economic inequality. If he trades those goals for size and speed, he'll blow a unique chance to chart a new direction. He doesn't need to beg Congress to spend; that's like begging Cookie Monster to eat. He needs to take a stand: No money without reform. That won't just rebuild consumer confidence; it will rebuild citizen confidence too. As the shoe guy said, at a time like this, self-esteem is critical...
...main character wasn't all bad: as played by Anthony Hopkins, he was the sexiest media monster possible. More often, though, the strength of Hare's villains is in their subtlety. In his work, even the most compromised of characters, like Hanna Schmitz, The Reader's Nazi guard, show glimmers of humanity. The challenge with Schmitz, says Hare, was to make a Nazi move the audience, even as the full horror of her actions unfolds. The trickiest scene - for Hare, Winslet (who plays Schmitz) and director Stephen Daldry - was the war-crimes trial, in which Schmitz is accused of killing...
...movie landscape where the blockbusters (and some of the best films) rely heavily on special effects that make the most fantastic creature look and feel real, The Wrestler offers the compelling sight of an actor who is his own special-effect monster, his own Incredible Hulk. (It's the rare movie where the closing credits for makeup and Mr. Rourke's trainer are well deserved. Mr. Rourke's plastic surgeon may also have earned a mention.) Reviewers love watching actors abuse their bodies for their art almost as much as actors love doing it. That's one reason Mickey should...