Word: monsterous
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...imagination of disaster." The innovation is in thinking the unthinkable, not creating rounded or even plausible characters. In fact, human idiocy is a crucial aspect of a genre that trades in mortal threat. If the characters holed themselves away in some safe place, they'd never meet the monster. They have to be at risk in order to escape, or get trampled, and for us to get a cheap but essential movie thrill...
...Once the monster surfaces in Cloverfield, mobs of Manhattanites run for their lives across a bridge out of the borough. They. Are. Stupid! They, and you the viewer, are supposed to believe that this huge creature - whose stride spans several city blocks, and who could get across the East River in about three steps - is some sort of snob who wouldn't be caught dead in Brooklyn. (But his victims would. That tail whips out of the water and snaps the Brooklyn Bridge...
...posse head into the subway tunnels, hoping to elude Cloverzilla and get uptown alive. Here's where the movie's one inspiration kicks in. Earlier, we saw the monster shedding parasites that had attached themselves to its hide like barnacles. These dog-size, cricket-faced, crablike creatures can bound like kangaroos, stick to ceilings and attack people without so much...
...cohesion; this could be called "The Blair Witch Reject"). The State of Liberty head comes from the poster for John Carpenter's Escape from New York (though that shot is not in the film). The little crab creatures are like the toy meanies in Gremlins. And when the main monster opens its mouth, you pretty much know there'll be a second, Alien-like set of teeth...
...broader contours, Cloverfield evokes real-life horror. The Wall Street area already had its monster mash, on 9/11. So there's no way you can watch downtown panic and crumbling towers without it seeming a bit... familiar. Naturally the director says, he didn't want to diminish or exploit the residue of grief from 9/11. And, as the press notes inform us, "The visual effects teams even took care that the collapsing buildings in the film were older-looking structures that did not evoke the style of the structures that were attacked six years earlier." You're right, visual effects...