Word: monsters
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...life more as a "glorious accident" (a term he used to describe Sid Vicious) than as a strategic campaign. While McLaren was portrayed in the film Sid and Nancy as a cunning calculator who cons the media into giving the Sex Pistols publicity, Malcolm was more bewildered by the monster he created and more naive than he was ever credited for--except when it came to realizing how much money there was to be made. Pistols lead singer Johnny Rotten had to sue McLaren for the rights to and unpaid revenues of the Sex Pistols, winning control...
Rookie Ashtynn Baltimore claimed one of two individual titles on the day, winning the women’s long jump in decisive fashion with a leap of 5.84 meters. The other winner was Bellin, who added to a “monster leg,” according to Saretsky, in the 4x400 with a victory in the 400-meter hurdles. The rookie’s time of 1:02.43 represented a significant drop from just two weeks...
...devotion of humans or manipulate their fears - and then put their theories into action. Zeus occasionally intervenes in Perseus's favor, while Hades materializes at Palace Argos in an inky cloud to threaten the city with imminent destruction unless Andromeda is sacrificed to the Kraken, a giant sea monster. In a way, the actors are playing the same opposing characters, patriarch-savior and lurid brute, that they embodied in Schindler's List, except that their pawns here are not the Jews of Germany but all humanity as represented by the people of Argos, and that these two grand figures...
...insatiable taste for sushi, breeding stocks of bluefin tuna have declined 80% over the past 50 years, with the steepest drop occurring in the last decade. And with tuna caught in the Mediterranean (where Atlantic bluefin go to spawn) wholesaling for $50 per kilo (one 500-plus-lb. monster recently fetched $175,000) in Tokyo, the fishing industry has shown its own ravenous appetite for the fish...
...larger breakthrough, however, was yet to come. “The Host,” which premiered in 2006 at the Cannes Film Festival, broke box office records in its home country with 13 million viewers in four months. The film focuses on a mutant monster generated by a U.S. Army laboratory which illegally dumped chemicals in the Han River (the “Seine of Seoul”). Bong was especially applauded for his ability to mix the conventions of a genre film—a monster film in this case—with his facetious social satire...