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...should know. As millions of job hunters have flocked to destinations like Monster, Careerpath.com and Careerbuilder.com to post virtual resumes and glean advice, headhunters and corporate recruiters haven't been far behind, shelling out hundreds of millions of dollars to pitch their positions. Since it's faster and significantly cheaper to hire online, in a few years e-cruiting could capture up to half the U.S. search-and-recruitment market, worth some $30 billion, according to Perry Boyle, an analyst at Thomas Weisel Partners. Monster alone, which will eventually take a cut of $250 to $1,000 from firms that...

Author: /time Magazine | Title: We're for Hire, Just Click | 8/16/1999 | See Source »

...that matter, just a few. That's why Joyce Schwarz, co-founder of Mayday Interactive, an ad shop based in Santa Monica, Calif., is already sold on Monster's talent market. To get her firm off the ground, she beat out a few rival bidders for a personal assistant and a web designer. "It's not like a temp firm, which may not know my needs," says Schwarz. "It's matchmaking for business...

Author: /time Magazine | Title: We're for Hire, Just Click | 8/16/1999 | See Source »

...current Drop Dead Gorgeous. The Last Broadcast, a slick thriller assembled on a desktop computer in 1997 for--get this--$900, mixes interviews and "found footage" in its story of a cable-TV crew that goes into New Jersey's Pine Barrens in search of a legendary monster; the crew calls this trek "the Jersey Devil project." There is betrayal, death and a twisty climactic frisson in this dark, media-mauling parable. The similarities between it and Blair Witch prove that for film, video or digital artists, self-reflexive stories...

Author: /time Magazine | Title: Cinema: Blair Witch Craft | 8/16/1999 | See Source »

...even sexual tension, no music of any kind, no demonic power tools. No prowling, voyeuristic camera from the killer's point of view; this movie is all about victims and the victims they make of each other. There are no shock cuts to the monster. In fact, no visible monster! Because the audience sees only what the camera does. At night it is sometimes pitch-black; for excruciating minutes, we are literally in the dark. The physical mayhem is limited to one conk on the head. There's no slashing--except of everything extraneous to the creation of psychological disorder...

Author: /time Magazine | Title: Cinema: Blair Witch Craft | 8/16/1999 | See Source »

...lonesome little boy, hyperactive and hyperimaginative. A big, scary monster who doesn't know his own strength--especially the strength of his sweet soul. An uncomprehending world that would rather exercise its many itchy trigger fingers than try to understand that which is strange...

Author: /time Magazine | Title: Cinema: The Iron King | 8/16/1999 | See Source »

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