Word: monsters
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...southern border of New Mexico and just over 100 miles from Alamogordo, the site lies between two jagged mountain ranges in a valley named by the conquistadors Jornada del Muerto (Dead Man's Walk). It is remote and entirely unpopulated, the perfect testing ground for the plutonium monster that the "longhairs" were concocting at Los Alamos in 1944. That winter Physicist J. Robert Oppenheimer, the father of the atom bomb, was pressed to give the site a code name. The erudite scientist glanced down at some lines of John Donne's poetry in a volume that...
...ELEPHANT MAN is a monster movie. It combines drawing-room genteelness and austerity with the elements of the classic 1930's horror films: the shadowy black-and-white photography; the slow fade-outs and dissolves; the eerie music; the mad scientist; the sensitive, hideous monster, misunderstood and abused by society, tortured by the humanity within him. Director David Lynch artfully manipulates these components--evading scariness and melodrama, while adding historical perspective and social commentary--to tell the true story of a tormented soul searching for dignity and compassion. Lynch's film is what Frankenstein should have been, what The Hunchback...
Like Frankenstein's creation and Quasimodo, or any monster worth his salt, Merrick is doomed. But there are no rampaging townspeople screaming for the creature's blood, no corny "'Twas beauty killed the beast" tag line. Elephant Man ends in sadness, but also on a peculiar, vaguely cathartic note. Lynch has made the ultimate monster movie, dark, bizarre, and oddly affecting...
...commands his daughter to bring him cigarettes and ignores her to watch TV. And Col. Thornbush: at first, a firm but kind father figure who makes Judy his protege--then tries to rape her. Henri, the loving and compassionate Renaissance man becomes--like all other men--an insensitive, abusive monster. As he places the wedding band on Judy's finger she looks into his face and sees her dead husband, her father, Col. Thornbush and the revelation strikes her: all men are the same! She calls off the wedding; when Henri tries to stop her, she decks him with...
...Metropolitan's show, imported after a successful five-month run at the British Museum, offers us a different sort of Viking: the monster chez lui, a more conscientious and stolid fellow, the rude ancestor of the modern Volvo executive. He does not even have a horned helmet -a Wagnerian embellishment on the plain iron cap he actually wore in battle. He plows his acres; he makes crude wooden boxes with crude iron tools. His wife has a comb and looks like Bjorn Borg in drag. Living in a permanent crisis economy, he believes in bullion as a hedge against...