Word: montand
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State of Siege. Costa-Gavras's latest political drama (following Z and The Confession) written by Franco Solinas who scripted The Battle of Algiers. Yves Montand has the sort of impeccably cool, unimpeachable face which is perfect for the part he plays. His role is recognizably based on the life and death of assassinated AID official Dan Mitrione, who was trained in the U.S. to operate in close undercover conjunction with the repressive policy in Brazil and Uruguay. Montand is perfect because this dream of a family man, whose actions are propelled by a pure form of bourgeois liberalism...
State of Siege. Costa-Gavras's latest political drama (following Z and The Confession) written by Franco Solinas who scripted The Battle of Algiers. Yves Montand has the sort of impeccably cool, unimpeacable face which is perfect for the part he plays. His role is recognizably based on the life and death of assassinaaed AID official Dan Mitrione, who was trained in the U.S. to operate in close undercover conjunction with the repressive policy in Brazil and Uruguay. Montand is perfect because this dream of a family man, whose actions are propelled by a pure form of bourgeois liberalism...
State of Siege. Costa-Gavras's latest political drama (following Z and The Confession) written by Franco Solinas who scripted The Battle of Algiers. Yves Montand has the sort of impeccably cool, unimpeacable face which is perfect for the part he plays. His role is recognizably based on the life and death of assassinated AID official Dan Mitrione, who was trained in the U.S. to operate in close undercover conjunction with the repressive police in Brazil and Uruguay. Montand is perfect because this dream of a family man, whose actions are propelled by a pure form of bourgeois liberalism...
State of Siege. A film of major significance: Costa-Gavras (Z, The Confession) powerfully indicts covert American action to support Latin American dictatorships. Yves Montand plays a character who represents Daniel Mitrione -- the AID officer killed by Tupamaro insurgents in 1970 -- but emphasized his kidnapping less than his previous activities: training the Uruguayan police, teaching torture, repression, use of explosives. The film is committed, not biased -- and based to a surprisingly large degree on public information. 1973. (At the Charles Cinema, Boston...
...political killing must first eliminate any suspense about the final outcome. If it does not, the audience will focus too much on the question will he be killed, rather than on the questions why he was killed. Thus within the first few minutes, the audience discovers Philip Micheal Santore (Montand) dead in the back seat of an old Cadillac. The outcome is never in doubt and audience attention can then be turned to the reasons for his death...