Word: montemezzi
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Dates: during 1920-1929
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...this Montemezzi has said with music. He stumps the old King on-stage with troubled horns. He sways the lovers with his strings. He tells the anguish of Flora's soul with a single overblown clarinet. He keeps it all ineffably tender and tragic until Flora's death and then, as if his inspiration died with her, he lets it go watered away to a teary...
Because there lives in Italy today a poet who can make plays to match his music; because Italo Montemezzi sniffed the music in the lines, caught the magic of the mood and translated it for an orchestra; because tragedy melts easily into the rich, sombre voice of Rosa Ponselle; because Giovanni Martinelli was the popular tenor who loved her; because Ezio Pinza was the blind king and believed it; because, by reason of its beauty and its simplicity, L'Amore del Tre Re pleases the tutored and untutored, there was small fault found anywhere with the opening performance...
...Fashion-writers noted that gowns dip in the back this year, fit snugly over the hips. One rhapsodized over a Lanvin taffeta, another over a Lelong tulle. Such pomp and circumstance meant little to Mr. Gatti. Hands in pockets, he sauntered in occasionally to where standees listened rapt to Montemezzi's music. On their enthusiasm depends more the success of his twenty-first season...
...Amore dei Tre Re, by Italo Montemezzi...
Artists. Miss Müller, soprano, sang with a sincerity marred only by irrelevant smiles in certain love-scenes; Signer Lauri-Volpi (Gallurese) turned himself into a human cornet; Conductor Tullio Serafin imposed upon the wavering score his own electrifying power. At the close of each act, Montemezzi appeared before the curtain, bowed, smiled. On one of these occasions, a lackey delivered to him a floral wreath...