Search Details

Word: monterey (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...SHORT history of rock and roll festivals is circumscribed by three singular events: the Monterey Festival, the Lake Bethel Festival, and a day-long concert at the Altamont Speedway. Each event's claim to singularity is by this time a matter of commonly received opinion: as our commentators have it. Monterey marked the apotheosis of the San Francisco-based flower culture, the Bethel concert (Woodstock) was the great coming together for, in its advertisement's words, three days of Love, Peace and Music, and Altamont the death of flower-power, the death of Love, the death of Rock, depending...

Author: By Michael Sragow, | Title: Politics and Films for Beginners | 6/17/1971 | See Source »

...Comparing the footage of Altamont in Gimme Shelter with that of Bethel in Michael Wadleigh's Woodstock , it's hard to see any difference in the crowds' composition or their activities; the former looks like any other mass concert to me, and it's photographed like Woodstock or Monterey for that matter: idyllic scenes with babies or dogs, shots of breasty women, exotic clothing, close-ups of people getting high, a freak-out, a few nude scenes, some unashamed embraces, more drugs, more exotic clothing, another breast, etc. But then there's the Angels, some clubbings, and the death...

Author: By Michael Sragow, | Title: Politics and Films for Beginners | 6/17/1971 | See Source »

...June 21, 1939, Carlotta Monterey O'Neill, third wife of Eugene O'Neill, made the following diary entry: "A hot, sleepless night. Gene talks to me for hours-about a play (in his mind) of his mother, father, his brother and himself." That play was to be Long Day's Journey Into Night, the greatest drama ever written by an American. Apart from its power, honesty, wisdom, passion and compassion, the play is a notable example of how an act of personal exorcism-"to face my dead," as O'Neill put it-can emerge...

Author: /time Magazine | Title: The Theater: Doom Music | 5/3/1971 | See Source »

Poverty of Success. Established wine makers led the planting rush. Paul Masson, a subsidiary of Seagram's, is increasing its grape lands around Monterey by 10,000 acres, an area two-thirds the size of Manhattan. Christian Bros. is uprooting plum orchards in order to plant vines. St. Helena's Louis M. Martini Co. stepped up production by one-fourth last year. "Like most of the family wineries, we are taking out just enough money to live on and plowing the rest back into the business," says Louis P. Martini, son of the founder. "We have never been...

Author: /time Magazine | Title: INDUSTRY: The California Wine Rush | 3/1/1971 | See Source »

Paradoxically, as the movement waxed, the music waned. This began to happen in the spring of 1967 at the Monterey Pop Festival, at a time when it seemed the movement would ensnare the whole country in its spirit. "It's hard to describe the feeling we had," recalls John Sinclair, chairman of the radical White Panther Party. "Everybody was taking all that acid and dancing and screaming in the music and uniting on every level with everybody else around him . . . We had a whole new vision of the world, and we knew that everything would be all right once...

Author: /time Magazine | Title: The Cooling Of America: Out of Tune and Lost in the Counterculture | 2/22/1971 | See Source »

Previous | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | Next