Word: montmajour
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...weathered limestone-so the drawings break down the pattern of the landscape and re-establish it in terms of a varied, but still codified system of marks: dot, dash, stroke, slash. In his best drawings sur le motif, most of which belong to his second visit to Montmajour in July 1888, one sees how this open marking evokes light, heat, air and distance with an immediacy that "tonal" drawing could not. Space lies in the merest alteration of touch; light shines from the paper between the jabs and scratches...
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