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Word: monumental (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...sees himself become a public monument in his own lifetime runs the risk of finding rude and irreverent remarks scribbled on the plinth. Such is the case of Britain's T. S. Eliot. Now he has had the ultimate accolade: a full-and fancy-dress parody. In the season's least subtle anagram, it is signed Myra Buttle; it represents the rebuttal to Eliot of a waspish and clever Cambridge lecturer in Far Eastern history named Victor Purcell (possibly, the publishers heavily hint, he had some distinguished anti-Eliot collaborators, including Robert Graves and C. Day Lewis...

Author: /time Magazine | Title: Books: Sweeney & the Mockingbirds | 2/10/1958 | See Source »

...epic closes with a touching ceremony before the enormous tasteless monument dedicated by the Third Ukrainian Army...

Author: By Gerald E. Bunker, | Title: Heroes of Shipka | 1/24/1958 | See Source »

...heavy thumb left the biggest print. When Wilson came to Washington the Korean war was about over, and his first big job was to convert to the long-haul New Look. He cut manpower, substituted the firepower of increasingly plentiful nuclear weapons, and it is Charlie Wilson's monument that he maintained an effective force-in-being that kept the peace for five rough years...

Author: /time Magazine | Title: DEFENSE: The Organization Man | 1/13/1958 | See Source »

Mussolini, the latest example of a notably successful TV specialty, is in great part a monument to a new kind of sleuth: the film searcher. Before Twentieth Century could fit together the show's dramatic jigsaw pattern in celluloid, searchers had to hunt out the bits and pieces of aging film in 25 different hoards in four countries; to give editors a choice, they brought in ten times as much footage as editors could...

Author: /time Magazine | Title: Television: The Celluloid Sleuths | 12/23/1957 | See Source »

...pictures -society portraits, nightclub nudes and tourist bouquets-are likely to pass away like grass now that Rivera is gone. The Indian museum-temple that he built to house his pre-Columbian collection will doubtless remain one of architecture's more intriguing curiosities. His murals are his lasting monument. Provocative at worst, or blatantly propagandistic for Communism (as in the case of the destroyed apotheosis of Lenin painted for Manhattan's RCA Building), they are enormously revealing at best-of peasant aspirations, Mexican heroes of history, the vigorous shapes and colors of the Mexican countryside...

Author: /time Magazine | Title: Art: Exit a Giant | 12/9/1957 | See Source »

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