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Word: monumental (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

SHERATON Corp.'s President Ernest Henderson, who buys and sells hotels so fast that he is never quite sure how many he owns, bought control of two more: Washington's 300-room Carlton, a monument to old-fashioned elegance, and the 1,300-room Wardman Park, biggest in the capital. Price, including an interest in an apartment house and an office building...

Author: /time Magazine | Title: Time Clock, Jun. 1, 1953 | 6/1/1953 | See Source »

Retired President Britton Budd of the Public Service Co. of Northern Illinois was invited to last week's party, too. He could remember helping Bishop Sheil found the organization that is his chief monument: the Catholic Youth Organization (C.Y.O.). As a young priest, Father Sheil served part-time as a chaplain at the Cook County jail. He walked many a doomed man to the execution chamber, and once a "mad-dog killer" said to him near the end: "Father, why do they wait until now before they start to care?" Later, when Father Sheil was consecrated a bishop...

Author: /time Magazine | Title: Religion: The Bishop's 25th | 5/11/1953 | See Source »

Heavy-Fingered. In Walla Walla, Wash., someone broke into A. Wylie's monument display room, stole two tombstones...

Author: /time Magazine | Title: Miscellany, Mar. 30, 1953 | 3/30/1953 | See Source »

...week, handing down their judgments with clipped finality: "No. No. Terrible. No. Yes." Propped against packing cases for their decision were 274 survivors of the 3,500 models entered in the biggest sculpture contest ever held. The stakes: $32,000 in prizes, offered by an anonymous donor for a monument honoring The Unknown Political Prisoner (TIME, Feb. 9). When the experts were finished, the $12,670 grand prize went to Britain's Reg Butler, 39, a shaggy-haired architect turned sculptor who made his first real splash at last summer's Venice Biennale...

Author: /time Magazine | Title: Art: Final Prisoner | 3/23/1953 | See Source »

...Unknown Prisoner, Butler chose something between abstraction and realism: a forbiddingly cold and empty structure, rising like some futuristic television antenna, with three grieving women looking up from beneath. Butler thinks that his symbolism suits a monument far better than any standard, realistic figure. Says he: "You must avoid the reaction, 'Oh, poor chap, he does look thin.' And if I made a statue of a god, it would be a big man or a small man with a big tummy or a flat tummy. So to make an image, I conceive a prisoner who is invisible...

Author: /time Magazine | Title: Art: Final Prisoner | 3/23/1953 | See Source »

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