Word: monumentalizing
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...David Dunlap, president of Dunlap's Pine Bluff Monument Company in Arkansas, on the repossessing and removal of the tombstone of Nolan Parks III. The Parks family said they thought they had paid their $152 balance. The balance has now been paid, but it is uncertain when the monument will be returned...
...Great Hall is one of the finest creations of the architectural firm of McKim, Mead & White and, as such, enjoys a privileged position in their renowned architectural monograph. It is a monument to the splendor of the American Gilded Age and is an irreplaceable example of an historic episode in art and architectural taste. It can no more be created today than one could create a Botticelli tondo or a Cellini bronze: its makers have died and, with them, a precious moment in history. It is the high calling of great institutions--universities, cathedrals and museums--to preserve, protect...
Callow has all that to consider in his second volume: how the seductive boy became the self-destructive man; why Hollywood blackballed a director who loved film so recklessly and, in his first pass at the mechanical muse, conquered her. But Welles left a monument no one can chip away. As the documentary notes, "There is only one winner in the story of Citizen Kane, and that's the film...In its 55th year, the movie is still a marvel, a circus of camera wizardry enlivening the story of a failure: a powerful man who loses it all. The young...
This logic is unpersuasive. After all, what is the purpose of a memorial? What is it that elevates a memory, even a communal memory, to something more? Does simply going to war earn soldiers a monument at this university? Is a memorial merely an empirical marker, and the list of names displayed on it simply a ledger, informing posterity of those who died in which war? Or do we mean something more substantial when we build a memorial? Indeed...
...proposal was anticipated by the original of the Hall. Dedicated to "the graduates and students of the University who died in defense of the Union, or who served in its defense during the Rebellion of 1861," the deed of gift included the stipulation that "no picture, bust, tablet, monument, or memorial shall be allowed within said Hall inconsistent with its intent." So it was until Edgar H. Wells, editor of The Harvard Alumni Bulletin, raised the issue in an editorial in the Bulletin in 1909, in which he argued that "The Harvard men...whether they fought under the stars...