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...other. Just past Grant's Tomb on the Hudson it looms: seven city blocks of arched white concrete with miles of pretzeling pipes and a sprouting of cylindrical smokestacks. This is the North River Water Pollution Control Plant, processor for a billion gallons of sewage a week and a monument in its own right. For decades, pols, bureaucrats and engineers here tangled over how to deal with so many people flushing and washing and whatnot. While they jawed, everything went straight into the Hudson River raw. Now, as the last charcoal cleansing filters are installed inside this state...

Author: /time Magazine | Title: New York City Coney Island On the Hudson | 11/21/1988 | See Source »

...Downing Street in the early '50s and, finally, his death at 90 in 1965. Gilbert's is the official biography, a day-by-day chronological account that seems to leave out nothing important and includes much that is not. Looked at on its own terms, it is an admirable monument to the great man, meticulously researched, scrupulously documented and well -- or well enough -- written...

Author: /time Magazine | Title: Books: Lightning In His Brain | 10/31/1988 | See Source »

...walk the quarter mile to Fenway Park, the giant CITGO gas sign, a timeless monument towering over the neighborhood, behind...

Author: By Joseph R. Palmore, | Title: Red Sox Rites and Rituals | 10/13/1988 | See Source »

...discovery or what language it is reported in. But as humans we should like to see a thing done as well as possible, and it is still our turn to lead, to help invest in the new mythology. The American space program has become a kind of monument that we have bequeathed to future generations and the other peoples of our planet. It is a homage to humility and hope, a promise, like great art or science, that we can escape, that we can loose the bonds that chain us to ourselves and soar. The rockets are soaring again...

Author: /time Magazine | Title: Essay: Stardust Memories | 10/10/1988 | See Source »

About a mile away, in a plaza of cultural palaces around a gushing fountain, patrons stroll into the white marble monument that houses Los Angeles' older, more conventional-seeming Mark Taper Forum. Visually, the contrast between the Taper and the L.A.T.C. is stark. But the ferment, the embrace of the new and the political consciousness are much the same at both. Throughout its 21-year history under artistic director Gordon Davidson, the Taper has thrived on controversy. FBI agents, for example, sat alert at the opening of Daniel Berrigan's The Trial of the Catonsville Nine in 1970, hoping...

Author: /time Magazine | Title: Theater: Two Tales of One City | 10/3/1988 | See Source »

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