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...year after the death of U.S. Senator Robert A. Taft in July 1953. his friends set up a foundation dedicated to his memory. Soon the foundation decided on a threefold program: 1) scholarships and fellowships, 2) an institute to conduct research in government, 3) a monument in Washington. Last week, after considering hundreds of suggestions, the Robert...

Author: /time Magazine | Title: THE CAPITAL: For Simplicity and Greatness | 7/4/1955 | See Source »

SCULPTOR Carl Milles, 80 years old this week, is a monument to the fact that monuments can be lovely. His conservative colleagues, e.g., Paul Manship, Oronzio Maldarelli, stick to classical patterns, yet come no closer to Praxiteles than a mannequin looks like a man. More radical sculptors such as Henry Moore and Jacob Epstein, on the other hand, often go in for deliberate ugliness of a sort calculated to give ordinary park strollers the heebie jeebies. Milles' monuments are both conservative and alive, both popular and poetic...

Author: /time Magazine | Title: Art: Water & Bronze | 6/27/1955 | See Source »

...crowded sanctuary of Grace Covenant Presbyterian Church on staid, tree-lined Monument Avenue in Richmond, Va. last week, a pro-segregation clergyman rose and heralded the defeat of his faction in singular language. Said the Rev. Alton J. Shirey: "You flattened us like a steam roller yesterday. Let's not cut the puppy's tail off an inch at a time...

Author: /time Magazine | Title: Religion: Segregation & the Churches | 6/20/1955 | See Source »

...institution's centenary. The play is being performed before large Washington audiences this week, was seen by TV viewers last week in a 17-minute cut-down version. Cry of Humanity was a monument to Dorothea Lynde Dix (1802-87), the New England schoolteacher who crusaded from Newfoundland to Louisiana for the "moral management" of the insane, persuaded Congress to open St. Elizabeths...

Author: /time Magazine | Title: Medicine: Century's Progress | 5/30/1955 | See Source »

...would have been happiest of all mothers," comments Ovid, "had she only not thought herself the happiest." Over and above the turn of Fortune's wheel, there is an inexorable change-the passage of time and the certainty of death. Like his contemporary, Horace ("I have reared a monument more enduring than bronze"), Ovid was himself a hubristic father to his poems. He was content to die, but not to be forgotten, and proudly he hurls a parting challenge...

Author: /time Magazine | Title: Books: Old Myths Made New | 5/23/1955 | See Source »

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