Search Details

Word: monvel (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

Prize Packages. There were other passengers on Suzanne's plane, whose plans and hopes for the future were inevitably and inextricably intertwined with those of the earthbound: dapper, 67-year-old Bernard Boutet de Monvel, the famed portraitist son of an even more famed illustrator father (Filles et Garcons, Jeanne d'Arc); lovely Kate Kamen and her shrewd, spectacled husband Kay, the man responsible for bringing Mickey Mouse watches, stuffed Donald Ducks and other Disney-fathered creatures into millions of U.S. nurseries. There was dynamic young (30) Ginette Neveu who in 1947, according to one critic, stepped "practically...

Author: /time Magazine | Title: THE AZORES: These Are the Paths | 11/7/1949 | See Source »

...your fine story on Maurice Boutet de Monvel and his "Joan of Arc" illustrations in the March 7 issue...

Author: /time Magazine | Title: Letters, Mar. 28, 1949 | 3/28/1949 | See Source »

Maurice's son, Bernard Boutet de Monvel, is also a gifted artist, particularly as a portrait painter. The fineness of his line and the quality of his color is reminiscent of his father's. Bernard now . . . has painted a magnificent canvas of Ingrid Bergman (see cut) as she appears in the motion picture Joan...

Author: /time Magazine | Title: Letters, Mar. 28, 1949 | 3/28/1949 | See Source »

...easygoing way, Boutet de Monvel spent an enormous deal of research on his work. His studio was piled high with authentic costumes for the children and servants to sweat in, while he painted them (he never even sketched without models). Later, all this was to be a boon to Hollywood. When Producer Walter Wanger and Director Victor Fleming were making plans for Ingrid Bergman's Joan of Arc, they found tips for both costumes and settings in Boutet de Monvel...

Author: /time Magazine | Title: Art: My Dear Children | 3/7/1949 | See Source »

...Joan paintings are as rich in detail as the film, but they maintain a heroic, friezelike directness and a lightness of touch that the $9,000,000 Technicolor production seldom matches. Hollywood borrowed, but could not beat, the Corcoran's Boutet de Monvel...

Author: /time Magazine | Title: Art: My Dear Children | 3/7/1949 | See Source »

| 1 | 2 | 3 | Next