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Every day for six months, visitors to the Corcoran Gallery in Washington had asked to see "the Joan of Arc pictures", and had been disappointed. The room in which Maurice Boutet de Monvel's six great paintings hung was closed for repairs. By the time it reopened this week, gallery officials were convinced that the paintings, donated by the late Senator William A. Clark of Montana, were among the most popular in its collection...

Author: /time Magazine | Title: Art: My Dear Children | 3/7/1949 | See Source »

...made them was a prosperous and beloved illustrator of French children's books (Filles et Garçons; Nos Enfants'), but by no means a famous artist in his own time. Only gradually has it become clear that Boutet de Monvel has cinched his own special place among the immortals of art, by modestly slipping through the gate that many more gifted painters try, and fail, to force...

Author: /time Magazine | Title: Art: My Dear Children | 3/7/1949 | See Source »

Boutet de Monvel, the proud and gentle product of an age that now seems almost as remote as Charlemagne's, died in 1913, just before history presented some of his readers with the day he had in mind. "He took a long time dressing," one of his sons remembers, "and was always elegant, with a bow tie, spats, silk hat, a flower in his lapel, and always a cane...

Author: /time Magazine | Title: Art: My Dear Children | 3/7/1949 | See Source »

...solicited but not informed of the needed guarantee. At an expensive opera ball staged to represent the Court at Fontainebleau in the reign of Louis XV, Soprano Lucrezia Bori came out as Mlle Cleophile de L'Opera, curtsied to such royal impersonators as sleek Artist Boutet de Monvel (King Louis) and Mrs. Vincent Astor (Austria's Maria Theresa), dramatically declared that the Metropolitan was saved...

Author: /time Magazine | Title: Music: Drive's End | 5/7/1934 | See Source »

...Paris Opera House during the Second Empire was the scene into which the Metropolitan had suddenly been con- verted. Mrs. August Belmont was not in the Diamond Horseshoe where she belongs. Bewigged and betrained like the Empress Eugenie she sat enthroned on the stage beside sleek Painter Boutet de Monvel who for the occasion was Napoleon III. Some 500 New Yorkers paraded the stage as titled Parisians and visiting nobility, escorted by gaily-dressed guards from New York's Seventh Regiment. The audience broke into cheers when chunky little old Maraella Sembrich came on as the Empress' mother...

Author: /time Magazine | Title: Music: Metropolitan's Ball | 5/8/1933 | See Source »

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