Word: mood
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...professional actors, wonderful ones, who find interior life in their characters; Nevins, who's not an actor, doesn't have that skill, for all his photogenicity. The second difference is that those films weave a romantic spell about their dreamy characters, one that puts the audience in the mood for love. Your Alex is just a mopey, angst-ridden kid, cocooned in the misery of the immature, connecting with no one. Granted, he has plenty to fret about, since he could soon be up on a murder charge. Your aesthetic idolatry of Nevins' beauty derailed, may I say, your ability...
...becomes clear only about halfway through the film - is Christian Mungiu's startlingly good drama set in 1987, during the end of Romania's Ceausescu regime. The burdens of Soviet-style dictatorship have imposed a gray pall on the country, putting most of the citizenry in a perpetually sour mood. The black market, for shampoo and Kent cigarettes, is on each street corner, in every college dormitory. That's where we meet Otilia (Annamaria Marinca), a smart, illusionless student, and her pretty, mopey roommate Gabita (Laura Vasiliu). Gabita is despondent for a reason: she's pregnant and is about...
...Once he finds a character or situation that beguiles him, Wong tends to stick with it, through multiple movies. He conceived the 1994 Chungking Express as three stories but shot only two; the third tale became his next film, Fallen Angels. A few years later he made In the Mood for Love, about a writer (Tony Leung Chiu-wai) falling for a married woman in 60s Hong Kong; that character reappeared, with four other alluring females, in 2046. Wong knows that movies are supposed to run between an hour and a half and two hours, but that's not natural...
...surprise, then, that his first U.S. feature should present two mid-length stories framed by a third. And in tribute to Hollywood cinema, My Blueberry Nights is not confined to a neighborhood (as Chungking Express and Fallen Angels were), or a single hotel (as in In the Mood for Love and 2046). This is a road movie, which begins in Venice, Cal., then flashes back to and ends in New York City, with long detours to Memphis and Nevada. It's an itinerary any foreign filmmaker fascinated with with America would choose to illustrate the country's scope and variety...
...hand; “doubtless,” “obvious,” “unquestionable,” on the other, will have the same effect. A hint of nostalgic, antiacademic languor at this stage as well may match the grader’s own mood: “It seems more than obvious to one entangled in the petty quibbles of contemporary Medievalists—at times, indeed, approaching the ludicrous—that smile as we may at its follies, or denounce its barbarities, the truly monumental achievements of the Middle Ages have become...