Word: moods
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Dates: during 1910-1919
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...program for the Pop Concert in Symphony Hall this evening is as follows: 1. Fost March, Triebel 2. Waltz, "Espana." Waldteufel 3. Overture. "Poet and Peasant." Suppe ('Collo Solo, Mr. Keller). 4. Selection, "Madame Sherry," Hoshna 5. Suite, "Peer Gynt," Grieg a. Morning Mood. b. Anitra's Dance. c. In the Hall of the Mountain King. 6. Organ Soli. a. Cantilene Nuptiale. Dubois b. March of the Priests from "Athalie," Mendelssohn 7. Selection, "Faust," Gounod 8. Entree Triomphale des Boyards, Halvorsen 9. Infiammatus from "Stabat Mater," Rossini (Cornet Solo, Mr. Heim). 10. Waltz, "Roses from the South," Strauss 11. Entrlacte...
...Fourflushers," by C. Kinkhead sC., is in a far different mood. A hackneyed domestic situation, hackneyed in plays at least, is made the butt of pervasive, witty satire. Butler, husband, wife, and false friend, all have the tricks of their trades at their finger tips, and ply them with most humerous results...
...verse Mr. Cumming's "Nocturne" appeals through its intricate pattern and decoration, inducing a mood and sense of beauty, but lacking the truth to emotional experience achieved in Mr. Hillyer's "Night on the Mountain." The latter, though defective in rhyme, fails chiefly in the introduction of "death," and the last line, which escapes anticlimax by false hyperbole. The psychology of Tapolo, "contented" with a clear night while praying for rain, defies analysis. Much better is the heavily alliterative rendering from Tolstoi by Mr. Garland. Its last lines, however, leave the point insufficiently clear, while such phraseology as "wended their...
...forty," but still a devotee of romance. R. D. Skinner '15 was effective as the jealous husband, although his expressions at times bespoke rather those of the villain of melodrama. M. Darmand was a masterly Claude Barrois, thoroughly finished in his action and singularly successful in change of mood. The minor parts were fairly well presented, in spite of a certain uneasiness of gesture and posture. L. W. Coleman '16 in the opening act was admirable as Justin, the tourists' guide and the role of Stanisias Colombin was adequately presented by J. A. Swinson...
Following is the program for the pop concert in Symphony Hall this evening: 1.March, "Persian," Strauss 2. Overture, "Oberon," Weber 3. Waltz, "Endymion," Maquarre 4. Selection, "The Prima Donna," Herbert 5. Suite, "Peer Gynt," Grieg a. Morning Mood. b. Anitra's Dance. c. In the Hall of the Mountain King. 6. Larghetto, H. D. Sleeper (Violin Solo, Mr. Theodorowicz; Organ, Mr. Marshall). 7. Selection, "Faust," Gounod 8. March, "Pomp and Circumstance," Elgar (Organ, Mr. Marshall). 9. Overture, "Tannhauser," Wagner 10. Dance of Awalin from "Egyptian Suite," Holloway 11. Waltz, "Espana," Waldteufel 12. March, "Follow the Crowd," G. H. Warner