Word: moods
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Dates: during 1970-1979
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Most irksome, though, is this production's inability to establish or sustain any sort of dramatic mood. Part of the problem is, of course, the weakness of the voices--notably those in the chorus, which appears on stage with annoying regularity to remind the leads of the power of memory. Nor is the Hugh Wheeler book, based on Ingmar Bergman's enchanting movie Smiles of a Summer's Night, in a class with Sondheim's score. But, in the end, the chief culprit is again Sanek's weak direction, which fails either to paint the frustrations of mismatched love...
...1960s, the political mood on campus again reflected the national mood, but, unfortunately, records of these Class Day speeches were not kept. Not until much of the campus turmoil had subdued, in 1974, are records available. At that time, Harvard orator and former Crimson president Daniel A. Swanson '74 talked of his feeling about Vietnam and Chile as he entered the University in 1971. His parting thoughts included...
Surveying the nation, TIME correspondents found that those 1973 gasoline lines forced by the Arab boycott, and the plant and school closings caused by natural-gas shortages last winter, had not receded as far in public memory as many skeptics had thought. The support for Carter's crisis-mood approach cut broadly across partisan and regional lines. A surprisingly prevalent refrain was: "I'm all for it, but most other people won't go for it, and Congress will kill...
Hesburgh the outer man seems unfailingly optimistic. Close friends say they never find him in a bad mood. But his is a calling where true feelings are often submerged. For all his heartiness, the inner Hesburgh seldom surfaces. "I think he's probably a lonely man who makes up for it by work and talk," says a colleague. Hesburgh laughs at this. He says his religion protects him from loneliness. While he says Mass every day. whether in a Moscow hotel room or at the South Pole, he seldom quotes the Bible in conversation. He is not a scholar...
Sometimes the desire to avoid sentimentality abolishes sentiment. A wide-eyed Little Orphan Annie is precisely what one expects, but a dry-eyed Little Orphan Annie is a contradiction in terms. Perhaps through the innate temperament of its teen-age star, Andrea McArdle, an aridity of mood pervades Annie. There is no suggestion of a waif in this 14-year-old, who keeps any warmth or vulnerability on a very tight leash. And what, after all, is the strong. affectionate bond between Annie and her dog Sandy except that both are waifs and strays...