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Word: moog (lookup in dictionary) (lookup stats)
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...Sharp's nonchalant vocals and silly lyrics are melodiously complemented by the omnipresent, wispy voice of Petra Hayden, creating an eerie, guitar-driven, foot-tapping rock surrealism. Despite losing Pat Wilson, the bald, dorky drummer from Weezer, Sharp has brilliantly succeeded by relying on sampling, electronic beats and the Moog to provide a unique rhythm section. Seven draws on a myriad genres, from the bluegrass track "She Says It's All Right" to the fast-paced pseudo-punk of "Insomnia." The radio single "Getting By" is a simple pop rock track does not provide the listener with an adequate sample...

Author: By By CHRIS R. blazejewski, | Title: Album Review: Seven More Minutes by The Rentals | 4/30/1999 | See Source »

...here. Sharps' nonchalant vocals and silly lyrics are melodiously complemented by the omnipresent, wispy voice of Petra, Hayden, creating an eerie, guitar-driven, foot-tapping rock surrealism. Despite losing Pat Wilson, the bald, droky drummer from Weezer, Sharp has brilliantly succeeded by relying on sampling, electronic beats and the Moog to provide a unique rhythm section. Seven draws on a myriad genres, from the bluegrass track "She Says It's All Right" to the fast-paced pseudo-punk of "Insomnia." The radio single "Getting By" is a simple pop rock track does not provide the listener with an adequate sample...

Author: By Chris Blazejewski, | Title: The Rentals Seven More Minutes Maverick | 4/30/1999 | See Source »

...upfront and in-your-face on almost every track. Drummer Slug does little more than keep time for Walker, and Fincher's bass remains subdued throughout most of the album. Although Marvelous3 is power pop, they layer their music at points with vocal distortion, background sampling, an excellent Moog solo and creative piano arrangement. In addition, effective overlapping of Walker's omnipresent vocals disguises the thin ideas behind his most lyrics...

Author: By Christopher R. Blazejewski, | Title: MARVELOUS3 HEY! ALBUM HIFI/ELECTRA RECORDS | 3/5/1999 | See Source »

Creators themselves of some of the best remixes ever, Coldcut allow big name remixers to revisit the songs of their classic 1997 album Let Us Play. The Moog madness of Cornelius redoing "Atomic Moog 2000" and Shut Up and Dance's version of "Every Home a Prison" kick off well, but the rest of the album fails to inspire. The remixes just don't compare to the originals. The live versions of "Atomic Moog 2000" and "Panopticon," as well as DJ Lord Fader's scratched-up version of "More Beats and Pieces" are just reminders of the fresh sounds...

Author: By Daryl Sng, | Title: Coldcut Let Us Replay Astralwerks | 2/12/1999 | See Source »

...recorded with everyone from Betty Carter to Diana Krall. A Family Affair (Verve), his third album as a leader, was released last summer. It includes some smart electric tunes (though listeners who actually lived through the 1970s may not be eager to reacquaint themselves with the sound of Moog synthesizers) but reaches its peak with an acoustic, rhythmically virtuosic version of the Sly Stone title song that somehow manages to swing while also suggesting the original funk beat. McBride says he's trying to provoke: "How many more concept albums can you handle? Such and Such plays the music...

Author: /time Magazine | Title: Music: Don't Call It Fusion | 10/12/1998 | See Source »

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