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There has been a flourishing in instrumentation too. Anything that whistles or bleats has been electrified?flute, string bass, tenor sax. There are wah-wah pedals on trombones, electronic keyboards, Moog Synthesizers, Mini Moogs, Micro-Mini Moogs, and last ?and perhaps least?the Alembic Bass with Instant Flanger.* The new machinery is just one more example of how jazz keeps expanding. Says Deejay Charlie Perkins of Boston's WBUR, "Jazz is borrowing the whole electrical thing...

Author: /time Magazine | Title: Music: A Flourish of Jazzz | 7/5/1976 | See Source »

...these days: Luther's A Mighty Fortress Is Our God). Instead of incense and plain chant, parish churches now offered folk Masses, Masses with "sacred dancing," mixed-media Masses. Comedian Bob Newhart, a practicing Catholic usually comfortable with change, ruefully recalls the "wakko wakko wakko " sound of a Moog Mass he once attended. "The priest said, 'Now let us all join together in the prayer we've know from childhood: wakko wakko wakko Our Father...

Author: /time Magazine | Title: A Church Divided | 5/24/1976 | See Source »

...real sister, Mariel) invites her music teacher Gordon Stuart home to meet Chris. Stuart (played by Chris Sarandon, Al Pacino's haunted, hysterical male wife in Dog Day Afternoon) composes modern music. He comes to Chris's apartment with a cassette of his screeching electronic creations under his arm, moog pieces which he plays for her with the tentative devotion of a supplicant offering a sacrifice to a goddess. She's bored, her attention wanders, she takes a phone call. Tantalized by her public image and enraged by her indifference, Stuart rapes her. His ego is composed of his music...

Author: By Kathy Holub, | Title: Moist Lips and Saucer Eyes | 4/22/1976 | See Source »

...least one song from Joni Mitchell's new album, The Hissing of Summer Lawns, will never be relegated to background music, if only because of its insistent growling. "The Jungle Line" combines a National Geographic tape of the warrior drums of Burundi with Mitchell playing Moog synthesizer and guitar. She sings a poem with images such as "Thru I-bars and girders, thru wires and pipes/Thru the mathematic circuits of the modern nights" and allusions to the French primitivist painter Henri Rousseau as well as The African Queen. But "The Jungle Line" drones after the first few lines, and unfortunately...

Author: By Tom Blanton, | Title: Moog and Metaphors | 12/18/1975 | See Source »

...expect the typically slick rock production--where some big rock superstar lays down one track, then overlays a track so he can accompany himself on the kazoo, throws in a moog synthesizer because the moog is oh so hip--look elsewhere. The music here is all recorded on a home tape recorder with one to three mikes. Dylan dislikes recording any song more than a couple of times, which is why you can sometimes here him laugh in the middle of a take, or talk to a member of The Band. What is lost in neatness is more than made...

Author: By Seth Kaplan, | Title: Dylan's Best Cellar | 9/23/1975 | See Source »

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