Word: moogs
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...Death Reel I could watch hours of award show death reels. I love the awkward applause for the big deaths, and the silence for the obscure ones. This year?s show had some high quality deaths-Shirley Horn, Robert Moog, Wilson Pickett, Eugene Record of Chi-Lites and Luther Vandross-and the audience came through with socially inapropriate clapping for their favorite folk in the great beyond...
...Moog in our Lives Robert Moog, inventor of the Moog synthesizer, which produces electronically generated sound [MILESTONES, Sept. 5], could be called the Einstein of electronic music. The Beatles used the Moog in their Abbey Road album, and the synthesizer figures prominently in the score of the film A Clockwork Orange. In a March 7, 1969, story, we described the workings of the Moog: "The electronic synthesizer that bears [Moog's] name?a 4-ft.[1.25-m]-long contraption that looks like the control panel of a jet airliner with an organ keyboard grafted onto...
...DIED. ROBERT MOOG, 71, inventor of the Moog synthesizer, credited with ushering in the age of electronica in the 1960s and '70s; in Asheville, North Carolina. As a boy he built gadgets with his engineer father and became intrigued with the theremin, an earlier relative of the synthesizer. His musical instrument first drew attention in 1968 with the release of Switched-On Bach, Walter Carlos' electrified reworking of pieces by the Baroque composer, and was later adopted by artists ranging from the Beatles to Pink Floyd...
DIED. ROBERT MOOG, 71, inventor of the Moog synthesizer, credited with ushering in the age of electronica in the 1960s and '70s; in Asheville, N.C. As a boy, he built gadgets with his engineer father and became intrigued with the theremin, an earlier relative of the synthesizer. His eponymous instrument first drew widespread attention in 1968 with the release of Switched-On Bach, Walter Carlos' electrified reworking of pieces by the baroque composer, and was later adopted by artists such as Pink Floyd and the Beatles...
...someone receives a credit for finger snapping--and deserves it. Yet the bass groove at its core is buoyant and hooky enough on its own to create what could be the first disco chain-gang song. They Never Got You starts with another bass riff before adding drums, a Moog synthesizer and viola so judiciously that you hardly realize they're there. The power pop of Sister Jack breaks for a hysterically grimy guitar solo that stops cold at the last verse, like a guard dog at an electric fence; nothing on Gimme Fiction is allowed...