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Word: moogs (lookup in dictionary) (lookup stats)
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...melody and jagged bits of rhythm. One song, All Mine, has a sound that might be described as big-band noir, with blaring horns and desperate, almost manic vocals. Another, Half Day Closing, ends with Gibbons' eerie wail twisting wraithlike into the ether. And Humming opens with a portentous Moog-synthesizer solo that seems borrowed, in mood, from a '50s sci-fi film. The songs on Portishead have one unifying feature: they all seem constructed on a wasteland of despair. Producer-songwriter Geoff Barrow, who, along with Gibbons, forms the core of Portishead, says simply, "I'm not a very...

Author: /time Magazine | Title: MUSIC: SONGS FROM TOMORROW | 10/20/1997 | See Source »

...band that doesn't seem to bother with the whole "tuning" thing, the Lynnfield Pioneers sound pretty damn good. They're a thrashing mess of distorted guitar, dissonant Moog organ, unfettered drumming and delightfully adolescent lyrics praising the virtues of drugs and sex ("she always said she was just the same/she liked tequila and cocaine"). A spirited intensity infused with funkiness and pop sensibility propels their latest effort, Emerge, beyond the banality this formula might suggest--but not very far beyond. About half the songs take off while the rest crash and burn...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: Distortion + Adolescent Lyrics = Ups and Downs | 10/17/1997 | See Source »

...Lynnfield Pioneers sound unabashedly unrehearsed. The tunes lack structure and coordination: The band seems to be no more aware of when the song should end than the listener. Many start with a open chord guitar riff that continues throughout, while nonsense vocals rhyme over the top and the Moog organ and drums embellish the texture...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: Distortion + Adolescent Lyrics = Ups and Downs | 10/17/1997 | See Source »

Technological razzle-jazzle has energized rock music ever since the Moog- and-groove, sound-and-light-show days of the '60s. The synthesizer, a . computerized one-man band, has become the instrumental instrument in many a rock group. Heavy-metal outfits like Guns N' Roses and Metallica, as well as such megatheatrical performers as Janet Jackson and David Bowie, have shown that computerized control of stage lighting creates a wide range of effects. The Grateful Dead, on a perpetual postmortem tour, keeps things fresh with computerized psychedelia synchronized to the music and projected on big screens...

Author: /time Magazine | Title: Rock Goes Interactive | 1/17/1994 | See Source »

...diving block of a shot followed by another dive to save a rebound attempt. The second was a stuff off of a point-blank shot fired by Parish, who shook her head in disbelief as she watched the ball ricochet back onto the playing field. Even Andy Moog would have been impressed...

Author: By Christopher Sanzone, | Title: Laxwomen Drub Big Green, 14-1; Nab Ivy Title | 5/3/1991 | See Source »

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