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...synthesizer is the latest chapter in the history of electronic music. A prototype was built by RCA in the '50s, but it was not until the mid-'60s that Robert Moog, a New Yorker, and Don Buchla, a Californian, independently designed the first practical models. They were ungainly machines, bristling with plugs and wires that looked more at home in a scientist's laboratory than on a stage. In 1968 Wendy Carlos (then Walter, before a sex change) used a Moog for the album Switched-On Bach, a fetching electronic counterfeit that alerted musicians to the instrument...

Author: /time Magazine | Title: Music: Switched-On Rock, Wired Classics | 2/27/1984 | See Source »

...NASA Engineer Richard Colonna to examine the suits, literally stitch by stitch. Its provisional finding: "Egregious oversights"-to use the words of one of the investigators-by the prime contractor, the Hamilton Standard division of United Technologies Corp., and by a key subcontractor, Carleton Controls Corp., a subsidiary of Moog Inc. By implication, the report also faulted the space agency...

Author: /time Magazine | Title: Space: Some Unsuitable Workmanship | 12/20/1982 | See Source »

...history, tends to evaporate. Gossip is certainly an instrument of power; Lyndon Johnson understood the magic leverage to be gained from intimate personal details, artfully dispensed. He made it a point to know the predilections of friends, the predicaments of enemies. He orchestrated whole symphonies of power upon the Moog...

Author: /time Magazine | Title: Essay: The Morals of Gossip | 10/26/1981 | See Source »

...interludes; the movie's gigantic "production number" is a ten-minute chase sequence that has Aykroyd and Belushi careering into Chicago with most of the local and state police force on their tail. The Blues Brothers is a demolition symphony that works with the cold efficiency of a Moog synthesizer gone sadistic...

Author: /time Magazine | Title: Cinema: A Great Rock-'n'-Roll Caravan | 7/7/1980 | See Source »

...rock and roll. For a long time, no one seemed to know what else to do with the synthesizer. More recently, Georgio Moroder and Donna Summer realized in "I Feel Love" a sound which no one will ever duplicate for sheer originality or sensuality. Nevertheless, millions of depraved Moog owners, sitting in their velour studios, will continue vainly to plagarize that legacy...

Author: By Scott J. Michaelsen, | Title: Mondo-Meltdown Rockers | 3/14/1980 | See Source »

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