Word: moonbeams
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Dates: during 1960-1969
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...organized around the drums while Led Zeppelin is organized around the counterpoint of lead guitarist and vocalist. Nor does Page have to contend with the supernaturally inane lyrics which Jack Bruce brought to Cream. Led Zeppelin's lyrics are never violently imagistic, and eschew "silver horses run down moonbeam in your dark eyes" ("White Room") for the related theme- provocative to puerile adolescents and Marshall scholars alike- of unrequited love. Their blues songs are populated by the inevitable uxorious men, boastful lovers, and sagacious unfortunates. The song titles themselves suggest perturbable stoicism in the face of a vampire as their...
Maclnnes' ear for the issues is sound too. His robust sympathies never crush his judgment. Beneath the charm and humor, sadness lurks. Mr. Karl Marx Bo says, looking around the Moonbeam club: "Serious individual as I am, I cannot always resist the lure of a little imitation joy." By the end, the tinsel has peeled for Johnny Fortune. After a police frame-up and a month in jail on a marijuana charge, he sets out to join his family in Lagos-full of shame and defiance: "Let them kill every Spade that's in the world, and leave...
...people of Handshoe Hollow are in no sense comic-strip characters -though to bemused social workers their ways often seem as anticly unreal as those of Snuffy Smith or Moonbeam McSwine. While they have few worldly goods and little interest in acquiring more, most mountain folk of Southern Appalachia cling stubbornly to an ar cane way of life and the bucolic virtues-hardihood, close-knit family ties, fierce independence of outside authority-that were the models of an earlier America. With federal funds coming in, no one in Handshoe Hollow goes hun gry any more. Nor are the pappies very...
...hold a moonbeam...
Soon the mother abbess (Peggy Wood) finds a solution. She sends the moonbeam off to shine as governess for Captain von Trapp (Christopher Plummer, slickly miscast), a widower who shares his palatial Schloss with seven troublesome but more or less irresistible children. Appalled by the captain's ironfisted discipline, Maria coddles the youngsters. One stormy eve she packs them all into bed with her, quieting their fears with some doughty Hammerstein stanzas. Eventually she teaches them to sing, captivates their father and marries him. Together they lead their septet across the border to Switzerland, with storm troopers baying...