Search Details

Word: moonings (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...ABOVE IT ALL, floats the moon. In Bertolucci's cosmos, there is neither night nor day, nor lunar cycles. Rather, there swims above us at all times, a huge flaccid orb, symbolizing-what? Bertolucci obviously doesn't know since this moon appears at any given moment, even in the early afternoon. This absurd use of the moon to symbolize essentially everything and nothing gives a hint of Luna's incoherency...

Author: By Deirdre M. Donahue, | Title: Mooning Over Mom | 11/2/1979 | See Source »

...breaks for producers of synthetic fuels and for businesses that use conventional energy sources such as solar power represents a great improvement over an earlier $54 billion version of the bill. The new bill, which slows the push for synthetic fuels, recognizes that the "man-on-the-moon" crash program for synthetic fuels proposed during the summer by President Carter presented several dangers...

Author: NO WRITER ATTRIBUTED | Title: Synfuels: No Panacea | 11/1/1979 | See Source »

...Shadow of the Moon, Kaye...

Author: /time Magazine | Title: FICTION: Best Sellers | 10/29/1979 | See Source »

...GIVE THEM. For even those actors who never sinned on the stage before don't stand a chance with this cardboard American morality play, Dark of the Moon. Not a chance, "I reckon" (to quote the pet phrase of the playwrights) with all the "fers, plumbs and cottonwood-blooming times" and a script that should burn in the fires of hell. And while they wallow in this sty of Appalachia, adultery and brimstone (and anything else moral that you happen to think of), do not spurn them for their transgressions, for the performance was near as good what mortals might...

Author: By Robert O. Boorstin, | Title: Beyond Redemption | 10/26/1979 | See Source »

...Dark of the Moon's characters are hollow, the stage atmosphere compensates and redeems Music director David L. Reiffel, however, has turned an already obvious plot into a play that has the subtlety of a bulldozer. You know when somebody says something prophetic (thunder claps in the background) and you know when the witches are coming (bizarre piano medleys screech behind the gauze curtains). The best musicians, meanwhile--banjo and fiddle players Thornton Lewis and Matthew Brown--make one stage appearance and, sad to say, disappear...

Author: By Robert O. Boorstin, | Title: Beyond Redemption | 10/26/1979 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next