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Matthew himself seems equally unconvinced that he is actually having an affair with the 15 year old daughter of his best friend. "Last night never happened," he tells Jennifer the night after their moonlight encounter on the beach. "I know," Jennifer says, smiling smugly, "I was there." These vacuous lines do nothing to enforce the believability of the relationship...

Author: By Rachel H. Inker, | Title: Sunburn | 3/6/1984 | See Source »

...purring into surprised faces. Moving together as in an acrobatic ballet, gliding, jumping, and somersaulting, the actors truly resemble the animals they pretend (or maybe, aspire) to be. With the actors slinking on stage, the lights flashing and stroking, the carefully sculptured trash set, eerily bathed in an artificial moonlight glow, the illusion is complete. Only then are we ready to enter the world of the Jellicle Cats...

Author: By Stuart A. Anfang, | Title: Feline Fantasy | 2/21/1984 | See Source »

...LYRICS OF NOëL COWARD; Overlook Press; 418 pages; $25 "Strange how potent cheap music is," wrote Noël Coward about one of his own songs. He was partly right: the melody and rhythm proved irresistible, but the lyric ("Some day I'll find you,/ Moonlight behind you") provided the real power. In an enduring song, notes beguile the ear; words build a home in the mind...

Author: /time Magazine | Title: Books: The Soul of Cole and No | 2/6/1984 | See Source »

...memoirist and, at the end, Sir Noël, knight of the British Empire. Yet of all his roles, Coward is likely to be remembered best as the songwriter with a taste for the bittersweet. Like Porter, he shied from passionate expression, sometimes in the belief that love, like moonlight, was "cruelly deceptive"; sometimes because he saw himself as an English Pierrot, the clown whose laughter cannot quite disguise the catch in his throat. Of the nearly 300 songs in Coward's collection, the dead-on love ballads are the weakest: "Time and tide can never sever/ Those whom...

Author: /time Magazine | Title: Books: The Soul of Cole and No | 2/6/1984 | See Source »

FRANKIE AVALON and Annette Funicello would not recognize the teenage beach culture depicted in Bruce Beresford's Puberty Blues. In this Australian import, the surfers and their girls don't sing and dance blissfully, and they certainly don't undergo innocuous adventures cuddling under the moonlight...

Author: NO WRITER ATTRIBUTED | Title: When Fall Comes | 8/16/1983 | See Source »

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