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Koerner's work, too, is theatrical. He illuminates almost every scene with the pitiless white glare of stage lighting-never sunlight or moonlight-and his actors move and speak with exaggerated force. These devices, skillfully employed, make Koerner's paintings more arresting than those of such established U.S. realists as Philip Evergood and Ben Shahn. But they are not enough to explain his disturbing power. Koerner's storytelling art is one of implication, and its very theatricalism serves to imply that the "real" world which man has made is equally a fabric of illusions...

Author: /time Magazine | Title: Art: Wasteland | 2/16/1948 | See Source »

...first year on U.S. records, Soviet Composer Aram Khachaturian (TIME, Nov. 10) got in the top 15 with his flashy Gayane Ballet Suite and his trashy Piano Concerto. Beethoven, usually voted a top favorite in most U.S. bull-session polls, made the list with two piano sonatas, the Moonlight and Pathétique, neither of which rates tops with highbrow critics. Pianist José Iturbi led the single record best-sellers with Debussy's Clair de Lune and a firm version of Chopin's much-mutilated A-Flat Polonaise...

Author: /time Magazine | Title: Music: Those Lovable Russians | 1/12/1948 | See Source »

...into the pulpit. To earn his way, he wrapped bread in a bakery and did some preaching on the side. When Fred Waring filmed Varsity Show on the Pomona campus, Shaw's glee club got a bit part-and Shaw got a job tuning up lush arrangements of Moonlight on the Campus and Battle Hymn of the Republic for Waring in New York. On the side, he trained a glee club for Broadway's Billy Rose, set the swimmers' strokes to music at Billy's World's Fair Aquacade. He also took on the choir...

Author: /time Magazine | Title: Music: Choral Varsity | 12/29/1947 | See Source »

...great scenes of the play-the dim, enormous interior of the Roman trireme, the wreck, and the struggles on machine-tossed waves, pale moonlight, the cataclysmic race, with two real chariots, each drawn by four Arabian horses, wheels rumbling and swaying, the incredible collision and Ben-Hur's triumph-all this excited and continued to excite the public...

Author: /time Magazine | Title: Books: Come Back a Man | 12/22/1947 | See Source »

...lyrical over what he sees. "Water," says Pieter, "seems to give off vibrations which appear like beams of moonlight striking through a window pane. A gold reef appears like a black ridge. Diamonds give off individual vibrations. I cannot explain them." A Johannesburg mining syndicate was well content to let the explanations go, provided Pieter's sharp eyes continued to seek out treasures. They put the boy under contract as a dowser...

Author: /time Magazine | Title: SOUTHERN RHODESIA: Moonshine | 12/1/1947 | See Source »

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