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Word: moor (lookup in dictionary) (lookup stats)
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...said they "read with interest the resolution of the Cambridge City council," but that they feel that raising the ironclad would be a "long, tedious; extremely expensive" process, impossible to undertake at this time. But Councillor Foley told the CRIMSON that he still wants to raise the Monitor and moor it on the Charles River. Other Council members concurred...

Author: NO WRITER ATTRIBUTED | Title: Navy Decides Monitor Must Remain Sunk | 5/8/1951 | See Source »

...bill, presented by Councillor John J. Foley, invites the United States Navy to "moor the historic ship in the Charles River, should salvage operations prove successful." Councillor John D. Lynch confided that the ship would be "anchored off the Weld Boat House as a city shrine...

Author: NO WRITER ATTRIBUTED | Title: City Councillors Invite Navy To Moor 'Monitor' in Charles | 4/17/1951 | See Source »

...American Students for Raising the Monitor, Andrew E. Norman '51 and Stephen O. Saxe '51, representing "innumerable students" in the nation, issued the following statement last night: "We are gratified by the Cambridge City Council's support of our campaign to raise the U.S.S. Monitor and its invitation to moor the ironclad on the Charles River...

Author: NO WRITER ATTRIBUTED | Title: City Councillors Invite Navy To Moor 'Monitor' in Charles | 4/17/1951 | See Source »

Under the searching eye of the television camera, and compressed into an hour's playing time, the TV Othello became a taut, single-minded study of the crack-up of the tormented Moor (played by Britain's Torin Thatcher) under the evil persistence of lago (Alfred Ryder). Producer Fred Coe managed to fill, but not clutter, the TV screen with a swirl of movement, created a sense of space by letting his cameras probe down colonnaded halls and into drapery-hung apartments...

Author: /time Magazine | Title: Radio: Noble Experiment | 9/4/1950 | See Source »

...Moor's Pavanne-Othello to music by Purcell. Limón had provided swirling and courtly choreography for his three accompanying dancers (representing lago, Desdemona, Emilia). And with his dramatic, high-cheekboned, deep-eyed face and high-voltage gestures, big Mexican-born Dancer Limón himself was superb as the blackly jealous giant...

Author: /time Magazine | Title: Music: All the Big Muscles | 1/2/1950 | See Source »

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