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...their skill and stage presence. The accompaniment of pop musician Sia Furler’s “Breathe Me” perfectly complemented the movements, with appropriate intensity to match the passionate dance. The interaction between Moore and Joffe was sensual as they executed graceful balletic moves. Impressively, Moore??s poise was so thorough that the slightest flick of her wrist seemed full of beauty and purpose.Holly Rollins, a student at the Graduate School of Education, exhibited incredible strength and flexibility as the dancer and choreographer of “Eat Pray Love...

Author: By Katherine L. Miller, CONTRIBUTING WRITER | Title: ‘Off the Page’ Pushes Boundaries | 12/3/2007 | See Source »

...tuition cost separated schools that were a realistic possibility versus schools where I would really have to make a sacrifice,” Moore says. At Harvard, Fitzsimmons says that the College is trying to address the problem faced by middle-income and upper middle-income families like Moore??s with annual incomes anywhere from $60,000 or $80,000 up to $200,000. Last year, the College gave aid grants to over 1,300 undergraduates from families making over $100,000, 351 of which were making incomes of above $160,000. For families with incomes between...

Author: By Jamison A. Hill, CRIMSON STAFF WRITER | Title: Why Can't Harvard Be Free? | 10/10/2007 | See Source »

Arguably the most difficult part of “Paquita” (and also my personal favorite), the “Esmeralda” variation, was performed by Merritt A. Moore ’10. Although her turns were often a bit sloppy, Moore??s natural ballerina extension was beautifully displayed with her gorgeous grands jetés and footwork. Evoking a Spanish gypsy is no easy task, and Moore did a generally lovely...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Bravura and Blues’ a Lovely Ballet Show | 4/29/2007 | See Source »

...question must be asked: Where was the tambourine? Many of the most impressive parts of this variation typically come when the dancer alternates playing a tambourine with her hand, elbow, and pointe shoe, rapidly. Moore??s dancing, though technically impressive, seemed incomplete without this key prop...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Bravura and Blues’ a Lovely Ballet Show | 4/29/2007 | See Source »

...lies alongside those of his followers. Ruskin’s influence is apparent in the clear tones and precision of these works, but one can also perceive the artists’ own variations from Ruskin’s style.The centerpiece, and perhaps the best work, of the show is Moore??s “Peacock Feather” (c. 1879-82), which hangs side-by-side with Ruskin’s “Study of a Magnified Pheasant’s Feather” (August 27, 1879). Moore was perhaps the most ardent of Ruskin?...

Author: By Victoria D. Sung, CONTRIBUTING WRITER | Title: Fogg Dips Into Ruskinian Watercolor Era | 4/13/2007 | See Source »

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