Search Details

Word: moore (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...that!). Then he stymbles onto the great man,s weakness: a touchingly intense faith in his new bride's innocence and honesty. The officer's lust for revenge consumes him, and he spends the later half of the play ebuliently chiselling on this great, remote mound called the Moor, eventually compelled to lie and kill to keep the plot in motion. When the poor Moor finally snuffs his sweet wife, and, the officer realizes--too late!--the error of his ways and feverishly repents as the curtain descends...

Author: By David B. Edelstein, | Title: 'The Pity of It,' Iago | 10/30/1981 | See Source »

...wife Catherine. Assuming he was also destined to die, he wrote a farewell letter: "I thank God, I am content to shake hands with all the world, and I have many comfortable assurances that God will accept me." To avoid contamination, he dictated the letter by shouting on the moor to a visiting clergyman. Mompesson did not die. Three years after the plague subsided, he was reassigned to the village of Eakring, where the residents at first feared that he might still infect them...

Author: /time Magazine | Title: Religion: Commenmorating a Heroic Act | 9/14/1981 | See Source »

...movie fails in its (fortunately rare) attempts at seriousness. When Moore sobers up, the movie loses its sparkle and falls flat. Gordon's writing talents end with the jokes--he lacks the necessary subtlety to convey real emotion. Minnelli. Moor and John Gielgud (brilliant as Arthur's paternal butler) utter lines to each other now and then that are supposed to mean things but actually don't, and the audience squirms in its collective seats and waits for Moore to go back on the sauce. When Gielgud has difficulties near the end, you want to feel...

Author: By Charles W. Slack, | Title: Rich Little Rich Boy | 7/24/1981 | See Source »

...swears vengeance. Around her a chorus of barbarians praises Attila's conquests. The scene is an early example of the art of dramatic juxtaposition perfected at the end of the third act of Otello, with lago gloating over his fallen master as the Venetians outside sing the Moor's praises...

Author: /time Magazine | Title: Music: Viva Verdi! Viva Verdi! | 3/30/1981 | See Source »

...woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet or some Emily Bronte who dashed her brains out on the moor crazed with the torture that her gift...

Author: /time Magazine | Title: Books: A Room of Their Own | 12/22/1980 | See Source »

Previous | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | Next