Word: moores
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...Doris Humphrey. Under her guidance Limón began choreographing his own dances, but by the late 1940s had his own group, and with Mentor Humphrey as artistic director, polished his austere, flowing style. His major works include Missa Brevis and Emperor Jones. He is best remembered for The Moor's Pavane, created in 1949, a spare retelling of Othello that has become a dance classic...
...solemnity of an Indian sun dance and, unfortunately, much of its tedium. But Orfeo, a free, ever-unwinding retelling of the old legend set to Beethoven's String Quartet No. 11, summoned up the poetic suggestiveness and exquisite line that characterized his first big success, The Moor's Pavane, which is still a favorite with the American Ballet Theater. Less striking but still provocative were Dances for Isadora, which drew on the Duncan story to fashion a subtle metaphor of death-in-life and life-in-death, and Carlata, a mad court fantasy (danced to silence) about...
...French bring a new language to international crime; the army of ordinary racketeers, for instance, is known simply as the "milieu." The Corsican gang boss ordinarily carries his identification in plain sight-a watch-fob medallion bearing the Moor's-head crest of Corsica. Like the Mafia, the Union Corse has a code of honor, the word of a gangster is supposed to be his bond. The difference is that Mafiosi are forever doublecrossing each other-hence the present gang war in New York-while the Corsicans usually keep their word. Members of the Mafia usually submit internal disputes...
...tortured response to Iago's calculated hints. But if it weren't that Othello's peculiar virtue is trust in other men--and his peculiar vice to distrust his own feelings in the unfamiliar pursuit of love--the battle wouldn't be worth the fighting. Iago so overpowers the Moor that pity keeps us on Othello's side much longer than hope. Though he plays with just enough confidence and grace in the Venetian scenes. Anderson breaks too quickly under Iago's pressures in Cyprus: calling forth his full range of emotions too early, he's forced to reiterate them...
Othello is a poet in uniform, a dreamer on the field of combat, but never rude or crude-which Jones tends to forget. The Moor is not the toughest boy in the barracks but a man obsessed by romance, heroism and honor. He dwells in images and on them. Even in the act of suicide, he summons up an image of how he once smote a circumcised dog of a Turk. His love of Desdemona is a kind of image of love. His heart breaks when lago tarnishes that image, long before Desdemona herself is actually destroyed. Neither Olivier...