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...cast is uniformly brilliant and in some cases superior to the original New York players (who are now in the London production). If there is any actor who stands out in this immensely talented group, it is Bill Moor as Harold, a 32-year-old Jew fairy" with a pock-marked face and a collection of pills he may be saving for an eventual suicide. Moore laces every line and expression with cynical, comic resignation; it is one of the most intense and perfected characterizations I have seen this year...

Author: By Frank Rich, | Title: The Boys in the Band | 5/9/1969 | See Source »

...words or music. It has no explicitly dramatic or psychological content. Particular movements may evoke emotional responses in the audience, but these responses will vary from person to person. Cunningham is interested in movement itself, "the physical image, fleeting or static." Unlike Graham in "Clytemnestra" or Limon in "The Moor's Pavane," he has never dramatized a legend. Yet his dances posses strong mood, an atmosphere that defines verbal presentation, perhaps because of the ambiguity and constant change involved in any Cunningham dance...

Author: By Maeve Kinkead, | Title: Merce Cunningham & Dance Company | 5/29/1968 | See Source »

Harlech seemingly suffers no embarrassment over his flippie brood. When Jane and her husband were picked up, though not charged, in the company of a pot-stocked party of moor campers, police found their infant son Saffron tucked away in a pile of hay. Jane's explanation: "It was very warm in the hay." Harlech stuck by her. "Jane knows what she's doing," he told reporters. "She's no child." And besides, Harlech himself is not always the model of upper-crust orthodoxy. He recently snowed up at Harvard for an advisory committee meeting...

Author: /time Magazine | Title: World: Life of a Lord | 5/17/1968 | See Source »

...figures from an ominous Other World spin a tiny street caper. Cut away and up through telephone wires to a rolling grey sky. Then abruptly to a bloodless flower child running running running along Graduate-white walls, down the empty spaces of a railroad yard, into some urban junkland moor, all this under a categorically blue sky and the electronic fallout of Streetchoir music tortured backwards through a tape-recorder. A conversation is heard. The flower child finds a blackjacket friend reading Bronze Beauties Revue on the front seat of a broken-down auto. They talk in silence. Close...

Author: By John D. Reed, | Title: Desire Is the Fire | 3/8/1968 | See Source »

...Moorings. Pittsburgh Businessman Carl Volkwein, who for 20 years owned cruisers ranging from 24 ft. to 30 ft. in length, switched to a 40-ft. houseboat two years ago so that he could treat clients and their families to weekend jaunts up the Allegheny; he has already ordered a 43-ft. replacement with even more room. Mystery Writer Erie Stanley Gardner likes houseboats so much that he operates two of them on California's Sacramento River. "They're my floating offices, the only place in the world where I can really get away from it all in comfort...

Author: /time Magazine | Title: Recreation: Hot Houseboat | 2/16/1968 | See Source »

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