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...names of the actors too linger like legendary godfathers and godmothers. Among them: Lorenzo ("the Magnificent") de' Medici, Ludovico ("the Moor") Sforza and Lucrezia Borgia, a victim of tabloid history's sensational headlines. Reports that Lucrezia was a sexual adventurer who mixed a heavy drink have never been adequately substantiated...

Author: /time Magazine | Title: Books: Godfathers a Renaissance Tapestry: the Gonzaga of Mantua | 3/14/1988 | See Source »

Naturally, behemoth yachts need outsize berths in which to moor. A big-boat marina is in the final planning stages at Manhattan's Battery Park City. The marina expects to sell 21 berths, costing $1 million each -- with a $16,000 annual maintenance fee -- to high-living investment honchos who want their own pied-a-mer within takeover distance of Wall Street...

Author: /time Magazine | Title: Living: High Life Afloat: Superduper Yachts | 9/7/1987 | See Source »

...renovated mental hospitals to house convicted felons. In New Jersey, where inmates have been sleeping in gymnasiums, classrooms and a chapel, officials are considering buying a World War II Navy troopship to use as a prison. Meanwhile, New York City is readying a second decommissioned Staten Island ferryboat to moor alongside the Vernon C. Bain, which has housed up to 162 prisoners on the East River since March...

Author: /time Magazine | Title: Prisons: More Rooms for The Big House | 8/10/1987 | See Source »

...aria, the haunting Willow Song, thus reducing Desdemona to a walk-on? Director Franco Zeffirelli never quite answers that question. The flamboyant Italian's 1983 cinematic version of La Traviata widened the opera's scope with tender reminiscences only implied in the libretto. In Otello, however, flashbacks to the Moor's slave childhood are maudlin, and Zeffirelli's camera, jumping edgily from storm to massed choruses to brawls and bedrooms, tires the mind. As Otello, Tenor Placido Domingo is in robust voice, and Bass Justino Diaz makes a splendidly vile Iago. Yet Zeffirelli's presumption in heavily editing Verdi...

Author: /time Magazine | Title: Cinema: Rushes: Oct. 6, 1986 | 10/6/1986 | See Source »

...that picture lay in its relocation of that classic device of the horror genre, the haunted house. Instead of being a Gothic pile isolated on a bleak moor, it was a spaceship visiting an unwelcoming planet in an obscure corner of the universe. But the situation was the immemorial one: a monster, in this case an alien life-form requiring human hosts for gestation, is stalking the spaceship's endless, ill-lighted corridors, picking off victims one by one. But there was only one creature, six frightened earthlings and little more subtext (or, for that matter, dialogue) to the film...

Author: /time Magazine | Title: Cinema: Help! They're Back! | 7/28/1986 | See Source »

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