Word: moral
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Dates: during 1940-1949
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Kilty's second contribution is a story called "A Moral Tale" about a four-star altar boy who turns out to be a pretty nasty little fellow after all. Though written with some good touches--such as a scene in which the saints in the church "watch" the boy steal from a collection basket--the story is unconvincing either as a satire of parish culture or as a psychological study of the child. An improbable ending, in which the boy showers a group of gaffers in a park with the pilfered church money and the old men have a sort...
...spite of these handicaps few men were killed; the Israell air corps did considerably better than the Egyptians, shooting down 24 of the enemy and executing several bombing raids on Damascus, Cairo, and El Arish, which lowered Arab moral. Mr. Augarten who found the Czoch Messerschmits an inferier successer to the Garman model destroyed four Egyptians, two better than his total score over Germany...
...occasion was the annual presentation of awards to "distinguished military students" of the Air Force and Field Artillery Corps. The awards are given, according to Major Kingston, to men who have displayed "outstanding qualities of military leadership, good moral character, and high academic standing...
Schmidt, who had been unable to get a job while the law debated his morals, was grateful, but detached, about the whole thing. "I understand the Anglo-American behavior pattern of saving face," he said cheerfully. "Very wise decision, we calls it," said the non-moralistic New York Daily News. "If U.S. citizenship were to be conferred only on alien married people and virgins of both sexes-well, we ask you." The Immigration Service sulked. It announced sturdily that it would continue to apply its "normal Christian standards." Snapped an official: "There is no use to subject the rest...
Suggesting those legendary tales involving both an agonizing decision and the guts to see it through, Montserrat is a kind of moral duel between cynicism at its most brutal and idealism at its most impassioned. Both themes suit the stage, neither quite fills it, and Montserrat has been fattened up by giving the six pawns in the game their grim, gaudy exit scenes as people. As melodrama, Montserrat, though sometimes talky, is oftener tense. As writing, it has much of Adapter Hellman's sharpness and bite: in particular, her villain (well-played by Emlyn Williams) brings a fine sardonic...