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Word: moralisms (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...transferring than at creating. His early experiment, The Left-Handed Gun, starring a self-conscious Paul Newman as Billy the Kid, paid heavy homage to the Actors Studio. Mickey One was a sedulously Francophilic film with Warren Beatty in the unlikely role of Everyman. But both movies displayed a moral force and a growing understanding of the possibilities of film. With Bonnie and Clyde, Penn abruptly became an internationally recognized film maker. In his newest film, Alice's Restaurant, Penn gives visual substance to Mocking-Bard Arlo Guthrie's instant-hit record of last year. Penn currently...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

...states to aggressive protection of the rights of the individual." Leon Friedman, co-editor of a forthcoming history entitled The Justices of the U.S. Supreme Court, 1789-1969, describes the change in another way: "The magic thing that the court has done is to have initiated a new moral sense in the country, a direction that the legislative and executive branches of government had failed to take. The Supreme Court used to be the anchor of the ship of state. Now it functions as the rudder...

Author: /time Magazine | Title: The Law: The Legacy of the Warren Court | 7/4/1969 | See Source »

Warren made an imprint on the court largely because of the strong moral direction that he imparted to it. A man of stern humanitarian ideals, he loomed on the bench as a kind of Old Testament lawgiver, who approached issues with a disarming simplicity. "You'd see this paterfamilias insisting on the justice of the black man's cause," noted Michael Meltsner, a young lawyer for the N.A.A.C.P. Legal Defense Fund, who has argued before the Warren court. "Almost every question was directed toward justice, not technicalities...

Author: /time Magazine | Title: The Law: The Legacy of the Warren Court | 7/4/1969 | See Source »

...meaninglessness of characters' actions, the blatant anti-capitalist propoganda of Weekend do not show Godard committing cinematic suicide. His integration of subject matter and approach demand this treatment. To critics who see Weekend as the end of the line, one must mention Les Carabiniers, a film that uses moral imbeciles in just the same way to attack war. Its events are as senseless and brutal; its plot as much as skeleton device that barely holds the film together (the characters' journey through alien rural setting becomes very boring); its characters as much figures for the camera to follow, rather than...

Author: By Mike Prokosch, | Title: The Death Of American Films | 7/3/1969 | See Source »

SOME DIABOLICAL booking agent selected Bullitt's to open in the Central Cinema One, next to Weekend. It shows as clearly as the latter how essential moral sensibility is to honest American films...

Author: By Mike Prokosch, | Title: The Death Of American Films | 7/3/1969 | See Source »

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