Word: moralizations
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
More painful was the Arab-Israeli infection, which flared up anew as Israel's Foreign Minister Golda Meir rose to demand "collective moral pressure" by the U.N. to enforce its 1951 decision condemning Egypt's refusal to let ships carrying Israeli goods pass through the Suez Canal. Indignantly, Golda Meir reported that the Danish freighter Inge Toft, which was stopped by the Egyptians last May with a cargo originating in Israel, "is being held to this day at Port Said." The United Arab Republic's Farid Zeineddine promptly asked for the floor and, hardily ignoring...
...five years of bloody rebellion against France, Algeria's rebels have pitted their ill-equipped guerrilla bands against an army of half a million men armed with everything from flamethrowers to jets. In compensation, the rebels have relied heavily and successfully on a moral weapon: the 20th century's prevailing anticolonialism. Last week, to their public confusion, the rebels found themselves for the first time at a moral disadvantage...
...delinquents as a group were found to differ markedly from the non-delinquents in five major ways: socioculturally, temperamentally, in attitude, psychologically, and physically. Socioculturally, the offenders had been reared in homes of little understanding, affection, stability, or moral fiber by parents usually unfit to be effective guides or protectors. Temperamentally, the delinquents were more "restlessly energetic, impulsive, extroverted, aggressive, destructive, and often sadistic." In attitude, they were far more hostile than the non-offenders, far more "definant, resentful, suspicious, stubborn, socially assertive, adventurous, unconventional, and non-submissive to authority...
Ruth White's portrayal of the forgotten movie star is surprisingly unstereotyped. Indeed, the acting always succeeds in rising above the quality of the script. June Havoc flounces about the stage as a superb specimen of moral laxity, and Farley Granger portrays the indecisive gigolo with equal skill. Julie Harris's engaging performance proves her to be a masterful stage veteran...
...conscious attitude among the writers of post-adolescent love fiction. These tales are obviously intensely personal things and their authors doubtless believe that they are probing the situation to the very limit, which they very well might be doing. It seems a bit ludicrous to hope that a new moral framework (if indeed the whole idea has any meaning), will come from the pens of a group of writers whose entire effect comes from the charm of their introspection and the attractiveness of their subjectivity...